In Greek mythology, the Charites ˈkærᵻtiːz (Χάριτες khárites), singular Charis, or Graces, were three or more goddesses of charm, beauty, nature, human creativity, goodwill, and fertility. Hesiod names three – Aglaea ("Shining"), Euphrosyne ("Joy"), and Thalia ("Blooming") – and names Aglaea as the youngest and the wife of Hephaestus. In Roman mythology they were known as the Gratiae, the "Graces". Some sources use the appellation "Charis" as the name of one of the Charites, and equate her with Aglaea, as she too is referred to as the wife of Hephaestus. The Charites were usually considered the daughters of Zeus and Oceanid Eurynome. Rarely, they were said to be daughters of Dionysus and Coronis or of Helios and the Naiad Aegle or of Hera by an unnamed father. Other possible names of their mother by Zeus are Eurydome, Eurymedousa, or Euanthe. Homer identified them as part of the retinue of Aphrodite. The Charites were also associated with the Greek underworld and the Eleusinian Mysteries. In post-classical painting and sculpture, the three Charites are often depicted naked or almost naked, but during the Archaic and Classical periods of Greece, they were typically depicted as fully clothed. The name and number of goddesses associated with the Charites varied, although they usually numbered three. Alternate names to Aglaea, Euphrosyne, and Thalia given in literature included: Damia ("Earth Mother"), Auxesia ("Spring Growth"), Cleta ("Renowned"), Eupheme ("good omen"), Phaenna ("Bright"), Hegemone ("Leader"), Peitho ("Persuasion"), Paregoros ("Consolation"), Pasithea ("Relaxation"), Charis ("Grace"), and Kale ("Beauty"). Alternatively, an ancient vase painting attests the following names as: Antheia ("Blossoms"), Eudaimonia ("Happiness"), Euthymia ("Good Mood"), Eutychia ("Good Luck"), Paidia ("Play"), Pandaisia ("Banquet"), and Pannychis ("Night Festivities"), all refer to the Charites as patronesses of amusement and festivities. Pausanias interrupts his Description of Greece (Book 9.35.