Resurrection of JesusThe resurrection of Jesus (ἀνάστασις τοῦ Ἰησοῦ) is the Christian belief that God raised Jesus from the dead on the third day after his crucifixion, starting – or restoring – his exalted life as Christ and Lord. According to the New Testament writing, Jesus was firstborn from the dead, ushering in the Kingdom of God. He appeared to his disciples, calling the apostles to the Great Commission of forgiving sin and baptizing repenters, and ascended to Heaven.
Image of EdessaAccording to Christian tradition, the Image of Edessa was a holy relic consisting of a square or rectangle of cloth upon which a miraculous image of the face of Jesus had been imprinted—the first icon ("image"). The image is also known as the Mandylion (from Greek μανδύλιον "cloth, towel"), in Eastern Orthodoxy, it is also known as Acheiropoeiton (Εἰκόν' ἀχειροποίητη), or "icon not made by hand". In the tradition recorded in the early 4th century by Eusebius of Caesarea, King Abgar of Edessa wrote to Jesus, asking him to come cure him of an illness.
Byzantine IconoclasmThe Byzantine Iconoclasm (Eikonomachía) were two periods in the history of the Byzantine Empire when the use of s or icons was opposed by religious and imperial authorities within the Ecumenical Patriarchate (at the time still comprising the Roman-Latin and the Eastern-Orthodox traditions) and the temporal imperial hierarchy. The First Iconoclasm, as it is sometimes called, occurred between about 726 and 787, while the Second Iconoclasm occurred between 814 and 842.
Shroud of TurinThe Shroud of Turin (Sindone di Torino), also known as the Holy Shroud (Sacra Sindone), is a length of linen cloth that bears a faint image of the front and back of a man. It has been venerated for centuries, especially by members of the Catholic Church, as the actual burial shroud used to wrap the body of Jesus of Nazareth after his crucifixion, and upon which Jesus's bodily image is miraculously imprinted.
Depiction of JesusThe depiction of Jesus in pictorial form dates back to early Christian art and architecture, as aniconism in Christianity was the norm within the ante-Nicene period. It took several centuries to reach a conventional standardized form for his physical appearance, which has subsequently remained largely stable since that time. Most images of Jesus have in common a number of traits which are now almost universally associated with Jesus, although variants are seen.
Byzantine EmpireThe Byzantine Empire, also referred to as the Eastern Roman Empire, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinople. It survived the fall of the Western Roman Empire in the 5th century AD and continued to exist until the fall of Constantinople to the Ottoman Empire in 1453. During most of its existence, the empire remained the most powerful economic, cultural, and military force in the Mediterranean world.
Christian cultureChristian culture generally includes all the cultural practices which have developed around the religion of Christianity. There are variations in the application of Christian beliefs in different cultures and traditions. Christian culture has influenced and assimilated much from the Greco-Roman, Byzantine, Western culture, Middle Eastern, Zoroastrianism, Slavic, Caucasian, and possibly from Indian culture. During the early Roman Empire, Christendom has been divided in the pre-existing Greek East and Latin West.
CrucifixA crucifix (from the Latin cruci fixus meaning '(one) fixed to a cross') is a cross with an image of Jesus on it, as distinct from a bare cross. The representation of Jesus himself on the cross is referred to in English as the corpus (Latin for 'body'). The crucifix is a principal symbol for many groups of Christians, and one of the most common forms of the Crucifixion in the arts. It is especially important in the Catholic Church, but is also used in the Eastern Orthodox Church, most Oriental Orthodox Churches (except the Armenian & Syriac Church), Lutheranism, Moravianism, and Anglicanism.
IconoclasmIconoclasm (from Greek: εἰκών + κλάω) is the social belief in the importance of the destruction of icons and other images or monuments, most frequently for religious or political reasons. People who engage in or support iconoclasm are called iconoclasts, a term that has come to be figuratively applied to any individual who challenges "cherished beliefs or venerated institutions on the grounds that they are erroneous or pernicious.
Byzantine artByzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward.
