Concept

Amigdalae

Summary
Amigdalae is a biofeedback based art project by the artist Massimiliano Peretti. The project has been presented for the first time in a scientific environment at the CNRS, National Center of Scientific Research in Paris, November 2005. This project explores how emotional reactions filter and distort human perception and observation. During the performance, biofeedback medical technology, such as encephalography, body temperature variations, heart rate and galvanic responses, will be used to analyze people's emotional status as they watch video art. Using these signals, the music changes, so that the consequent sound environment will simultaneously mirror and distort the viewer's emotional state. In the field of experimental psychology, neuropsychology and psychobiology, the process of tracking and recording cerebrum-cortical electrical activity, and its combination with other values of psychomotor activity, enables the diagnosis of the emotional responses of an individual. Psycho-physiological states are assigned to different electrical values. These variations in electrical potential can be recorded with the use of contact electrodes; in most academic situations they are connected to a signal amplifier and an inkjet instrument that reacts to the variations of potential and amplitude of the input data. This instrument, commonly known as electroencephalograph, has been of the utmost importance regarding studies on the functioning of cerebral activity during the awakened state of an individual, the sleeping state, emotional states, and during physiological and psychological disturbances. The recorded data, electroencephalogram, are permanent memories of a distinct period of cerebral activity. There is other psychophysical data, related to human behaviors, which can be tracked along with variations in brain activity; this data is generally defined as biofeedback. Crucial elements in the study of psychological states are cardiac frequency, electro muscular activity EMG, and body temperature.
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