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Concept
John Brownlee (baritone)
Summary
John Donald Mackenzie Brownlee (7 January 1900 10 January 1969) was an Australian operatic baritone. For most of his professional career he was based in Europe and then the United States.
John Brownlee was born in Geelong, Victoria. As a boy, he became a junior naval cadet in the Royal Australian Navy, serving during World War I. Following service, he studied accounting. He entered a singing contest in Ballarat, winning first prize even though he had never had a lesson. Several singing engagements followed. One of these, a performance of Messiah, was attended by Nellie Melba, who convinced him to go to Paris for serious study with Dinh Gilly. His debut took place at Covent Garden on 8 June 1926, in the performance of La bohème in which Melba made her farewell appearance. That autumn he was engaged by the Paris Opera, the first time a British subject had been made a permanent member of that company; his Paris debut was in Thaïs in 1927.
In 1934, he appeared as a singer in the British film The Private Life of Don Juan.
On 17 February 1937, he appeared for the first time at the Metropolitan Opera. The opera was Rigoletto. Besides making important appearances elsewhere, Brownlee remained a regular at Covent Garden, the Paris Opera, and the Met, making his last performance there in March 1957.
Brownlee's greatest successes were in the Mozart repertory, particularly at the Glyndebourne Festival. He was also acclaimed in Salome and Pelléas et Mélisande. In 1943, he starred as "The Vagabond King" at New York's Shubert theater. After retiring from singing, Brownlee became a stage director, making his debut at the Met on 27 November 1958 in a performance of Die Fledermaus.
Brownlee joined the voice faculty of Manhattan School of Music in 1953 and headed the opera department. He was appointed director (a title later changed to President) of the school, the second in the school's history, in 1956, leading a major expansion that included a successful $9.
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