Lyric poetry

Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also not equivalent to Ancient Greek lyric poetry, which was principally limited to song lyrics, or chanted verse. The term for both modern lyric poetry and modern song lyrics derives from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara, a seven-stringed lyre (hence "lyric"). The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic, and epic. Lyric poetry is one of the earliest forms of literature. Much lyric poetry depends on regular meter based either on number of syllables or on stress – with two short syllables typically being exchangeable for one long syllable – which is required for song lyrics in order to match lyrics with interchangeable tunes that followed a standard pattern of rhythm. Although much modern lyric poetry is no longer song lyrics, the rhythmic forms have persisted without the music. The most common meters are as follows: Iambic – two syllables, with the short or unstressed syllable followed by the long or stressed syllable. Trochaic – two syllables, with the long or stressed syllable followed by the short or unstressed syllable. In English, this metre is found almost entirely in lyric poetry. Pyrrhic – Two unstressed syllables Anapestic – three syllables, with the first two short or unstressed and the last long or stressed. Dactylic – three syllables, with the first one long or stressed and the other two short or unstressed. Spondaic – two syllables, with two successive long or stressed syllables. Some forms have a combination of meters, often using a different meter for the refrain. Greek lyric For the ancient Greeks, lyric poetry had a precise technical meaning: Verse that was accompanied by a lyre, cithara, or barbitos.

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Related concepts (63)

Epode

An epode is the third part of an ode that follows the strophe and the antistrophe and completes the movement. At a certain point in time the choirs, which had previously chanted to right of the altar or stage, and then to left of it, combined and sang in unison, or permitted the coryphaeus to sing for them all, while standing in the centre. With the appearance of Stesichorus and the evolution of choral lyric, a learned and artificial kind of poetry began to be cultivated in Greece, and a new form, the epode-song, came into existence.

Strophe

A strophe (ˈstroʊfiː) is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode. The term has been extended to also mean a structural division of a poem containing stanzas of varying line length. Strophic poetry is to be contrasted with poems composed line-by-line non-stanzaically, such as Greek epic poems or English blank verse, to which the term stichic applies.

Callimachus

Callimachus (Καλλίμαχος; 310 240 BC) was an ancient Greek poet, scholar and librarian who was active in Alexandria during the 3rd century BC. A representative of Ancient Greek literature of the Hellenistic period, he wrote over 800 literary works in a wide variety of genres, most of which did not survive. He espoused an aesthetic philosophy, known as Callimacheanism, which exerted a strong influence on the poets of the Roman Empire and, through them, on all subsequent Western literature.