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Concept
History of forensic photography
Summary
Forensic science holds the branch of forensic photography which encompasses documenting both suspected and convicted criminals, and also the crime scenes, victims, and other evidence needed to make a conviction. Although photography was widely acknowledged as the most accurate way to depict and document people and objects, it was not until key developments in the late 19th century that it came to be widely accepted as a forensic means of identification.
Forensic photography resulted from the modernization of criminal justice systems and the power of photographic realism. During the nineteenth and twentieth centuries, these two developments were significant to both forensic photography and police work in general. They can be attributed to a desire for accuracy. First, government bureaucracies became more professionalized and thus collected much more data about their citizens. Then, criminal justice systems began incorporating science into the procedures of police and judiciaries. The main reason, however, for the acceptance of police photography, is a conventional one. Other than its growing popularity, the widespread notion of photography was the prominent belief in the realism of the medium.
The earliest evidence of photographic documentation of prison inmates dates back to 1843–44 in Belgium and 1851 in Denmark. This, however, was solely experimental and was yet to be ruled by technical or legal regulations. The shots ranged from mug shot resemblances, to prisoners in their cells; and the purpose of them also varied from documentation to experimentation. There was no training required and pictures were often taken by amateurs, commercial photographers, and even policemen or prison officials.
By the 1870s, the practice had spread to many countries, though limited to larger cities. Professional photographers would then be employed to take posed portraits of the criminals. This was early evidence that led to the standard mug shot known today and was unlike any previously known portraiture.
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