Concept
Neo-noir
Related concepts (6)
Postmodernist film
Postmodernist film is a classification for works that articulate the themes and ideas of postmodernism through the medium of cinema. Some of the goals of postmodernist film are to subvert the mainstream conventions of narrative structure and characterization, and to test the audience's suspension of disbelief. Typically, such films also break down the cultural divide between high and low art and often upend typical portrayals of gender, race, class, genre, and time with the goal of creating something that does not abide by traditional narrative expression.
David Fincher
David Andrew Leo Fincher (born August 28, 1962) is an American filmmaker. His films, most of which are psychological thrillers, have collectively grossed over $2.1 billion worldwide and have received 40 Academy Award nominations; this includes three Best Director nominations for him. He has also received four Primetime Emmy Awards, two Grammy Awards, a BAFTA Award, and a Golden Globe Award. Fincher became interested in filmmaking at the age of eight. In 1986, at the age of 24, he co-founded the production company Propaganda Films.
Quentin Tarantino
Quentin Jerome Tarantino (ˌtærən'tiːnoʊ; born March 27, 1963) is an American film director, screenwriter, producer, actor, and author. His films are characterized by stylized violence, extended dialogue including a pervasive use of profanity, and references to popular culture. Tarantino began his career as an independent filmmaker with the release of the crime film Reservoir Dogs in 1992. His second film, Pulp Fiction (1994), a dark comedy crime thriller, was a major success with critics and audiences winning numerous awards, including the Palme d'Or and the Academy Award for Best Original Screenplay.
Film noir
Film noir (nwɑːr; film nwaʁ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression.
Film genre
A film genre is a stylistic or thematic category for motion pictures based on similarities either in the narrative elements, aesthetic approach, or the emotional response to the film. Drawing heavily from the theories of literary-genre criticism, film genres are usually delineated by "conventions, iconography, settings, narratives, characters and actors". One can also classify films by the tone, theme/topic, mood, format, target audience, or budget.
Cinema of the United States
The cinema of the United States, consisting mainly of major film studios (also known metonymously as Hollywood) along with some independent films, has had a large effect on the global film industry since the early 20th century. The dominant style of American cinema is classical Hollywood cinema, which developed from 1910 to 1962 and is still typical of most films made there to this day. While Frenchmen Auguste and Louis Lumière are generally credited with the birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry.