Concept

Fáfnir

In Germanic heroic legend and folklore, Fáfnir is a worm or dragon slain by a member of the Völsung family, typically Sigurð. In Nordic mythology, he is the son of Hreiðmarr, and brother of Regin and Ótr and is attested throughout the Völsung Cycle, where, Fáfnir slays his father out of greed, taking the ring and hoard of the dwarf Andvari and becoming a worm or dragon. Fafnir's brother Regin later assisted Sigurð in obtaining the sword Gram, by which Fáfnir is killed. He has been identified with an unnamed dragon killed by a Völsung in other Germanic works including Beowulf, the Nibelunglied and a number of skaldic poems. Fáfnir and his killing by Sigurð are further represented in numerous medieval carvings from the British Isles and Scandinavia, and a single axe head in a Scandinavian style found in Russia. The story of Fáfnir has continued to have influence in the modern period, such as in the works of J.R.R Tolkien, who drew inspiration from the tale of Fáfnir in his portrayals of Smaug and Gollum. The name "Fáfnir" has been translated from Old Norse as "the embracer". Before taking the form of a dragon, Fáfnir's appearance is not explicitly described. It has been noted though that his brother, Regin, is described as being a dwarf in Norna-Gests þáttr and resembling a dwarf (dvergr of vǫxt), however, it is neither clear if relatives of dwarfs are also dwarfs, or how dwarfs were conceived of as appearing. It has been noted that dwarf appearances were presented in the medieval period as highly diverse and they could even change their form, as with Andvari and potentially also Fáfnir. While in the form of a worm in Fáfnismál, Fáfnir is described as flightless and snake-like while at the same point in the narrative of the later Völsunga saga, he has shoulders, suggesting legs, wings or both. This change is consistent with the wider trend in Germanic portrayals of dragons, and likely results from influence from continental Europe that was facilitated by Christianisation and the increased availability of translated romances.

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