Concept
Wayang golek
Related concepts (8)
Wayang kulit
Wayang kulit (ꦮꦪꦁꦏꦸꦭꦶꦠ꧀) is a traditional form of puppet-shadow play originally found in the cultures of Java and Bali in Indonesia. In a wayang kulit performance, the puppet figures are rear-projected on a taut linen screen with a coconut-oil (or electric) light. The dalang (shadow artist) manipulates carved leather figures between the lamp and the screen to bring the shadows to life. The narratives of wayang kulit often have to do with the major theme of good vs. evil.
Wayang wong
Wayang wong (ꦮꦪꦁꦮꦺꦴꦁ), also known as wayang orang (literally "human wayang"), is a type of classical Javanese and Balinese dance theatrical performance with themes taken from episodes of the Ramayāna or Mahabharāta. Performances are stylised, reflecting Javanese court culture: Wayang wong dance drama in the central Javanese Kraton (royal court) of Yogyakarta represents the epitome of Javanese aesthetic unity. It is total theatre involving dance, drama, music, visual arts, language, and literature.
Culture of Indonesia
The culture of Indonesia (Budaya Indonesia) has been shaped by long interaction between original indigenous customs and multiple foreign influences. Indonesia is centrally-located along ancient trading routes between the Far East, South Asia and the Middle East, resulting in many cultural practices being strongly influenced by a multitude of religions, including Buddhism, Christianity, Confucianism, Hinduism, and Islam, all strong in the major trading cities. The result is a complex cultural mixture, often different from the original indigenous cultures.
Wayang
Wayang, also known as wajang (ꦮꦪꦁ), is a traditional form of puppet theatre play originating from the Indonesian island of Java. Wayang refers to the entire dramatic show. Sometimes the leather puppet itself is referred to as wayang. Performances of wayang puppet theatre are accompanied by a gamelan orchestra in Java, and by gender wayang in Bali. The dramatic stories depict mythologies, such as episodes from the Hindu epics the Ramayana and the Mahabharata, as well as local adaptations of cultural legends.
Mataram Sultanate
The Sultanate of Mataram (məˈtɑrəm) was the last major independent Javanese kingdom on the island of Java before it was colonised by the Dutch. It was the dominant political force radiating from the interior of Central Java from the late 16th century until the beginning of the 18th century. Mataram reached its peak of power during the reign of Sultan Agung Anyokrokusumo (1613-1645), and began to decline after his death in 1645. By the mid-18th century, Mataram lost both power and territory to the Dutch East India Company (Dutch: Vereenigde Oost-Indische Compagnie; VOC).
Gamelan
Gamelan (ˈgæməlæn) (ꦒꦩꦼꦭꦤ꧀, ᮌᮙᮨᮜᮔ᮪, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called kendang, which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali.
Sundanese people
The Sunda or Sundanese (Orang Sunda; Urang Sunda) are an indigenous ethnic group native to the western region of Java island in Indonesia, primarily West Java. They number approximately 42 million and form Indonesia's second most populous ethnic group. They speak the Sundanese language, which is part of the Austronesian languages. The western third of the island of Java, namely the provinces of West Java, Banten, and Jakarta, as well as the westernmost part of Central Java, is called by the Sundanese people Tatar Sunda or Pasundan (meaning Sundanese land).
Cirebon
Cirebon (t͡ʃirə'bɔn, formerly rendered Cheribon or Chirebon in English) is a port city on the northern coast of the Indonesian island of Java. It is the only coastal city of West Java, located about 40 km west of the provincial border with Central Java, approximately east of Jakarta, at . It had a population of 296,389 at the 2010 census and 333,303 at the 2020 census; the official estimate as at mid 2022 was 341,235 (comprising 171,202 males and 170,033 females).