Concept

Salon (Paris)

[[File:Rixens jour de vernissage.jpg|thumb|right|300px|Formally dressed patrons at the Salon in 1890. 'Un Jour de vernissage au palais des Champs-Élysées by Jean-André Rixens featuring Tigresse apportant un paon à ses petits by Auguste Cain.]] The Salon (Salon), or rarely Paris Salon (French: Salon de Paris salɔ̃ də paʁi), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. From 1881 onward, it was managed by the Société des Artistes Français. In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salon de Paris was essential for any artist to achieve success in France for at least the next 200 years. Exhibition in the Salon marked a sign of royal favor. In 1725, the Salon was held in the Palace of the Louvre, when it became known as Salon or Salon de Paris. In 1737, the exhibitions, held from 18 August 1737 to 5 September 1737 at the Grand Salon of the Louvre, became public. They were held, at first, annually, and then biennially, in odd-numbered years. They would start on the feast day of St. Louis (25 August) and run for some weeks. Once made regular and public, the Salon's status was "never seriously in doubt". In 1748 a jury of awarded artists was introduced. From this time forward, the influence of the Salon was undisputed. The Salon exhibited paintings floor-to-ceiling and on every available inch of space. The jostling of artwork became the subject of many other paintings, including Pietro Antonio Martini's Salon of 1785.

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French art salons and academies
From the seventeenth century to the early part of the twentieth century, artistic production in France was controlled by artistic academies which organized official exhibitions called salons. In France, academies are institutions and learned societies which monitor, foster, critique and protect French cultural production. Academies were more institutional and more concerned with criticism and analysis than those literary gatherings today called salons which were more focused on pleasurable discourse in society, although certain gatherings around such figures as Marguerite de Valois were close to the academic spirit.
Académie des Beaux-Arts
The Académie des Beaux-Arts (akademi de boz‿aʁ, Academy of Fine Arts) is a French learned society based in Paris. It is one of the five academies of the Institut de France. The current president of the academy (2021) is Alain-Charles Perrot, a French architect. The academy was created in 1816 in Paris as a merger of the Académie de peinture et de sculpture (Academy of Painting and Sculpture, founded 1648), the Académie de musique (Academy of Music, founded in 1669) and the Académie d'architecture (Academy of Architecture, founded in 1671).
Académie royale de peinture et de sculpture
The Académie royale de peinture et de sculpture (akademi ʁwajal də pɛ̃tyʁ e də skyltyʁ; "Royal Academy of Painting and Sculpture") was founded in 1648 in Paris, France. It was the premier art institution of France during the latter part of the Ancien Régime until it was abolished in 1793 during the French Revolution. It included most of the important painters and sculptors, maintained almost total control of teaching and exhibitions, and afforded its members preference in royal commissions.
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