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False color (or pseudo color) refers to a group of color rendering methods used to display images in color which were recorded in the visible or non-visible parts of the electromagnetic spectrum. A false-color image is an image that depicts an object in colors that differ from those a photograph (a true-color image) would show. In this image, colors have been assigned to three different wavelengths that human eyes cannot normally see. In addition, variants of false color such as pseudocolor, density slicing, and choropleths are used for information visualization of either data gathered by a single grayscale channel or data not depicting parts of the electromagnetic spectrum (e.g. elevation in relief maps or tissue types in magnetic resonance imaging). The concept behind true color can help in understanding false color. An image is called a true-color image when it offers a natural color rendition, or when it comes close to it. This means that the colors of an object in an image appear to a human observer the same way as if this same observer were to directly view the object: A green tree appears green in the image, a red apple red, a blue sky blue, and so on. When applied to black-and-white images, true-color means that the perceived lightness of an object is preserved in its depiction. Absolute true-color rendering is impossible. There are three major sources of color error (metameric failure): Different spectral sensitivities of the human eye and of an image capture device (e.g. a camera). Different spectral emissions / reflections of the object and of the image render process (e.g. a printer or monitor). Differences in spectral irradiance in the case of reflective images (e.g. photo prints) or reflective objects – see color rendering index (CRI) for details. The result of a metameric failure would be for example an image of a green tree which shows a different shade of green than the tree itself, a different shade of red for a red apple, a different shade of blue for the blue sky, and so on. Color management (e.
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