In music, a reduction is an arrangement or transcription of an existing score or composition in which complexity is lessened to make analysis, performance, or practice easier or clearer; the number of parts may be reduced or rhythm may be simplified, such as through the use of block chords.
An orchestral reduction is a sheet music arrangement of a work originally for full symphony orchestra (such as a symphony, overture, or opera), rearranged for a single instrument (typically piano or organ), a smaller orchestra, or a chamber ensemble with or without a keyboard (e.g. a string quartet). A reduction for solo piano is sometimes called a piano reduction or piano score.
During opera rehearsals, a répétiteur (piano player) will typically read from a piano reduction of the opera. When a choir is learning a work scored for choir and full orchestra, the initial rehearsals will usually be done with a pianist playing a piano reduction of the orchestra part. Before the advent of the phonograph, arrangements of orchestral works for solo piano or piano four hands were in common use for enjoyment at home.
A reduction for a smaller orchestra or chamber ensemble may be used when not enough players are available, when a venue is too small to accommodate the full orchestra, to accompany less powerful voices, or to save money by hiring fewer players.
A piano reduction or piano transcription is sheet music for the piano (a piano score) that has been compressed and/or simplified so as to fit on a two-line staff and be playable on the piano. It is also considered a style of orchestration or music arrangement less well known as contraction scoring, a subset of elastic scoring.
The most notable example is Franz Liszt's transcriptions for solo piano of Ludwig van Beethoven's symphonies.
According to Arnold Schoenberg, a piano reduction should "only be like the view of a sculpture from one viewpoint", and he advises that timbre and thickness should largely be ignored, since "the attempt to make a useful object equally usable for a variety of purposes is usually the way to spoil it completely".
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In music, transcription is the practice of notating a piece or a sound which was previously unnotated and/or unpopular as a written music, for example, a jazz improvisation or a video game soundtrack. When a musician is tasked with creating sheet music from a recording and they write down the notes that make up the piece in music notation, it is said that they created a musical transcription of that recording. Transcription may also mean rewriting a piece of music, either solo or ensemble, for another instrument or other instruments than which it was originally intended.
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts (e.g., melody, bassline, etc.) of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra.
Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece. Like its analogs – printed books or pamphlets in English, Arabic, or other languages – the medium of sheet music typically is paper (or, in earlier centuries, papyrus or parchment).
In this paper we present Aligned Scores and Performances (ASAP): a new dataset of 222 digital musical scores aligned with 1068 performances (more than 92 hours) of Western classical piano music.The scores are provided as paired MusicXML files and quantized ...
The purpose of this thesis is to develop new methods for automatic transcription of melody and harmonic parts of real-life music signal. Music transcription is here defined as an act of analyzing a piece of music signal and writing down the parameter repre ...
In comparison to computational linguistics, with its abundance of natural-language datasets, corpora of music analyses are rather fewer and generally smaller. This is partly due to difficulties inherent to the encoding of music analyses, whose multimodal r ...