PaintingPainting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting").
Persian miniatureA Persian miniature (Persian: نگارگری ایرانی negârgari Irâni) is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western Medieval and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums.
Persian artPersian art or Iranian art (Honar-è Irâni) has one of the richest art heritages in world history and has been strong in many media including architecture, painting, weaving, pottery, calligraphy, metalworking and sculpture. At different times, influences from the art of neighbouring civilizations have been very important, and latterly Persian art gave and received major influences as part of the wider styles of Islamic art.
Halo (religious iconography)A halo (; also called a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla.
Arabic miniatureArabic miniatures (Arabic: ٱلْمُنَمْنَمَات ٱلْعَرَبِيَّة, Al-Munamnamāt al-ʿArabīyyah) are small paintings on paper, usually book or manuscript illustrations but also sometimes separate artworks that occupy entire pages. The earliest example dates from around 690 AD, with a flourishing of the art from between 1000 and 1200 AD in the Abbasid caliphate. The art form went through several stages of evolution while witnessing the fall and rise of several Islamic caliphates.
Book of KellsThe Book of Kells (Codex Cenannensis; Leabhar Cheanannais; Dublin, Trinity College Library, MS A. I. [58], sometimes known as the Book of Columba) is an illuminated manuscript and Celtic Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created in a Columban monastery in either Ireland or Scotland, and may have had contributions from various Columban institutions from each of these areas. It is believed to have been created 800 AD.
Mughal paintingMughal painting is a style of painting on paper confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa), from the territory of the Mughal Empire in South Asia. It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings.
Rajput paintingRajput painting, painting of the regional Hindu courts during Mughal era, roughly from the end of the 16th-century to the middle of the 19th-century. Traditionally Rajput painting is further divided into Rajasthan and Pahari painting, that flourished in two different areas, "far apart from each other in terms of distance but all under the rule of Rajput chiefs, and bound together by a common culture".
Aniconism in IslamIn some forms of Islamic art, aniconism stems in part from the prohibition of idolatry and in part from the belief that the creation of living forms is God's prerogative. The Quran does not explicitly prohibit visual representation of any living being. The corpus of hadith (sayings attributed to the Islamic prophet Muhammad) contains more explicit prohibitions of images of living beings, challenging painters to "breathe life" into their images and threatening them with punishment on the Day of Judgment.
CodexThe codex (: codices 'koʊdɪsiːz) was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term codex is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback (or softback) and those bound with stiff boards, called hardbacks.
