Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism.
In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and art.
The term symbolism is derived from the word "symbol" which derives from the Latin symbolum, a symbol of faith, and symbolus, a sign of recognition, in turn from classical Greek σύμβολον symbolon, an object cut in half constituting a sign of recognition when the carriers were able to reassemble the two halves. In ancient Greece, the symbolon was a shard of pottery which was inscribed and then broken into two pieces which were given to the ambassadors from two allied city states as a record of the alliance.
Symbolism was largely a reaction against naturalism and realism, anti-idealistic styles which were attempts to represent reality in its gritty particularity, and to elevate the humble and the ordinary over the ideal. Symbolism was a reaction in favour of spirituality, imagination, and dreams. Some writers, such as Joris-Karl Huysmans, began as naturalists before becoming symbolists; for Huysmans, this change represented his increasing interest in religion and spirituality. Certain of the characteristic subjects of the Decadents represent naturalist interest in sexuality and taboo topics, but in their case this was mixed with Byronic romanticism and the world-weariness characteristic of the fin de siècle period.
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Delves into Gustave Courbet's masterpiece 'L'Atelier du peintre', exploring his ambition, artistic process, and the societal context of the 19th century.
Le cours offre un résumé de la théorie et la culture architecturales depuis 1789 dans le monde occidentale. Le but est de comprendre des textes dans lesquels l'architecture est définie comme une disci
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The Picture of Dorian Gray is a philosophical novel by Irish writer Oscar Wilde. A shorter novella-length version was published in the July 1890 issue of the American periodical Lippincott's Monthly Magazine. The novel-length version was published in April 1891. The story revolves around a portrait of Dorian Gray painted by Basil Hallward, a friend of Dorian's and an artist infatuated with Dorian's beauty. Through Basil, Dorian meets Lord Henry Wotton and is soon enthralled by the aristocrat's hedonistic worldview: that beauty and sensual fulfillment are the only things worth pursuing in life.
The Decadent movement (Fr. décadence, "decay") was a late-19th-century artistic and literary movement, centered in Western Europe, that followed an aesthetic ideology of excess and artificiality. The Decadent movement first flourished in France and then spread throughout Europe and to the United States. The movement was characterized by a belief in the superiority of human fantasy and aesthetic hedonism over logic and the natural world.
A dandy is a man or woman who plays with the presentation of their masculinity or femininity. They have an air of ambiguity and fluidity. Their energy is alluring and they place particular importance upon physical appearance and personal grooming, refined language and leisurely hobbies. A dandy could be a self-made man in person and persona, who imitated an aristocratic style of life, despite his middle-class origin, birth, and background, especially in the Britain of the late-18th and early-19th centuries.
De 1960 à 1990, la Roumanie communiste voit son environnement bâti exploser. Les murs, les salles de bain, les appartements et les bâtiments sont standardisés et répliqués dans un manteau uniforme de béton et de briques. Si des quartiers entiers fleurissen ...
L’exploration du lien entre pèlerinage et architecture a ouvert la voie au rapport entre le voyage pédestre et l’œuvre architecturale. Ce travail pose la question à l’échelle urbaine et trouve sa réponse à l’échelle de l’Homme. Il se focalise alors en prem ...
« Mon grand-père a Alzheimer ». « Tu as perdu ton téléphone ? Cherche-le dans le frigo ». « Tu as oublié ? Alors tu as Alzheimer ! » Nous entendons souvent parler de démence, mais rarement lorsqu’il s’agit de personnes jeunes, diagnostiquées avant l’âge de ...