Ta'ziehTa'zieh (تعزية; تعزیه; ) means comfort, condolence, or expression of grief. It comes from roots aza (عزو and عزى) which means mourning. It commonly refers to passion plays about the battle of Karbala and its prior and subsequent events. Sir Lewis Pelly begins the preface of his book about Ta'ziyeh maintaining that "If the success of a drama is to be measured by the effects which it produces upon the people for whom it is composed, or upon the audiences before whom it is represented, no play has ever surpassed the tragedy known in the Mussulman world as that of Hasan and Husain.
Saadi ShiraziSaadi Shīrāzī, better known by his pen name Saadi (ˈsɑːdi; , sæʔˈdiː), also known as Sadi of Shiraz (سعدی شیرازی, Saʿdī Shīrāzī; born 1210; died 1291 or 1292), was a Persian poet and prose writer of the medieval period. He is recognized for the quality of his writings and for the depth of his social and moral thoughts. Saadi is widely recognized as one of the greatest poets of the classical literary tradition, earning him the nickname "The Master of Speech" or "The Wordsmith" (استاد سخن ostâd-e soxan) or simply "Master" (استاد ostâd) among Persian scholars.
Cinema of IranThe cinema of Iran (Persian: سینمای ایران), or of Persia, refers to the film industries in Iran and their productions. Iranian art films have garnered international fame and enjoy a global following. Iranian films are usually written and spoken in the Persian language. Iran has been lauded as one of the best exporters of cinema in the 1990s. Some critics now rank Iran as the world's most important national cinema, artistically, with a significance that invites comparison to Italian neorealism and similar movements in past decades.
Science and technology in IranIran has made considerable advances in science and technology through education and training, despite international sanctions in almost all aspects of research during the past 30 years. Iran's university population swelled from 100,000 in 1979 to 2 million in 2006. In recent years, the growth in Iran's scientific output is reported to be the fastest in the world.
Iranian diasporaThe Iranian diaspora refers to Iranian people or those who are of Iranian ancestry living outside Iran. In 2021, the Ministry of Foreign Affairs of Iran published statistics, which showed that 4,037,258 Iranians are living abroad, an increase from previous years. Many of them live in North America, Europe, the Arab states of the Persian Gulf, Turkey, Azerbaijan, Australia and the broader Middle East. Other studies have estimated about 1.5 million or fewer Iranians living abroad.
TirganTirgan (تیرگان, Tirgān), is a mid summer ancient Iranian festival, celebrated annually on Tir 13 (July 2, 3, or 4). It is celebrated by splashing water, dancing, reciting poetry, and serving traditional foods such as spinach soup and sholezard. The custom of tying rainbow-colored bands on wrists, which are worn for ten days and then thrown into a stream, is also a way to rejoice for children. Tirgan is an ancient Iranian tradition which is still celebrated in various regions of Iran, including Mazenderan, Khorasan, and Arak.
Royal RoadThe Royal Road was an ancient highway reorganized and rebuilt by the Persian king Darius the Great (Darius I) of the first (Achaemenid) Persian Empire in the 5th century BC. Darius built the road to facilitate rapid communication on the western part of his large empire from Susa to Sardis. Mounted couriers of the Angarium were supposed to travel from Susa to Sardis in nine days; the journey took ninety days on foot. The course of the road has been reconstructed from the writings of Herodotus, archeological research, and other historical records.
BarbadBarbad (باربد; late 6th – early 7th century CE) was a Persian poet-musician, lutenist, music theorist and composer of Sasanian music. He served as chief minstrel-poet under the Shahanshah Khosrow II (590-628). A barbat player, he was the most distinguished Persian musician of his time and is regarded among the major figures in the history of Persian music. Despite scarce biographical information, Barbad's historicity is generally secure. He was highly regarded in the court of Khosrow, and interacted with other musicians, such as Sarkash.
