TragedyTragedy (from the τραγῳδία, tragōidia) is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization.
AristophanesAristophanes (ˌærɪˈstɒfəniːz; Ἀριστοφάνης, aristophánɛːs; c. 446 – c. 386 BC), son of Philippus, of the deme Kydathenaion (Cydathenaeum), was a comic playwright or comedy-writer of ancient Athens and a poet of Old Attic Comedy. Eleven of his forty plays survive virtually complete. These provide the most valuable examples of a genre of comic drama known as Old Comedy and are used to define it, along with fragments from dozens of lost plays by Aristophanes and his contemporaries.
SophoclesSophocles ( 497/6 – winter 406/5 BC) was an ancient Greek tragedian, known as one of three from whom at least one play has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: Ajax, Antigone, Women of Trachis, Oedipus Rex, Electra, Philoctetes and Oedipus at Colonus.
AeschylusAeschylus (UKˈiːskɪləs, USˈɛskɪləs; Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.
DionysiaThe Dionysia (ˌdaɪ.ə'nɪzi.ə, ˌdaɪ.ə'nɪʃi.ə, ˌdaɪ.ə'nɪʃə; Greek: Διονύσια) was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year. They were also an essential part of the Dionysian Mysteries.
DionysusIn ancient Greek religion and myth, Dionysus (daɪ.əˈnaɪsəs; Διόνυσος Dionysos) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus (ˈbækəs or ˈbɑːkəs; Βάκχος Bacchos) by the Greeks (a name later adopted by the Romans) for a frenzy he is said to induce called baccheia. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful.
Satyr playThe satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is strong; satyr plays were written by tragedians, and satyr plays were performed in the Dionysian festival following the performance of a group of three tragedies. The satyr play's mythological-heroic stories and the style of language are similar to that of the tragedies.
HeraclesHeracles (ˈhɛrəkli:z ; ), born Alcaeus (Ἀλκαῖος, Alkaios) or Alcides (Ἀλκείδης, Alkeidēs), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon. He was a descendant and half-brother (as they are both sired by the god Zeus) of Perseus. He was the greatest of the Greek heroes, the ancestor of royal clans who claimed to be Heracleidae (Ἡρακλεῖδαι), and a champion of the Olympian order against chthonic monsters.
OdysseusIn Greek and Roman mythology Odysseus (əˈdɪsiəs ; OdysseúsOdyseús, o.dy(s).sěu̯s), also known by the Latin variant Ulysses (juːˈlɪsiːz , UKalsoˈjuːlɪsiːz ; UlyssesUlixes), is a legendary Greek king of Ithaca and the hero of Homer's epic poem the Odyssey. Odysseus also plays a key role in Homer's Iliad and other works in that same epic cycle. Son of Laërtes and Anticlea, husband of Penelope, and father of Telemachus, Acusilaus, and Telegonus Odysseus is renowned for his intellectual brilliance, guile, and versatility (polytropos), and is thus known by the epithet Odysseus the Cunning (mêtis).
OvidPublius Ovidius Naso (ˈpuːbliʊs ɔˈwɪdiʊs ˈnaːso; 21 March 43 BC – AD 17/18), known in English as Ovid (ˈɒvɪd ), was a Roman poet who lived during the reign of Augustus. He was a younger contemporary of Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists. Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus exiled him to Tomis, the capital of the newly-organised province of Moesia, on the Black Sea, where he remained for the last nine or ten years of his life.
