Concept

G Plan

Summary
G Plan is a British furniture brand. It began as a pioneering range of furniture in the United Kingdom produced by E Gomme Ltd of High Wycombe. The success of G Plan led to E Gomme becoming one of the UK's largest furniture manufacturers, with profits increasing sixfold between 1952 and 1958 when it was floated as an IPO. Since 2005, G Plan has been a subsidiary of Sofa Brands International. The company was founded in High Wycombe in 1898 by Ebeneezer Gomme, at first making hand-made chairs, and building a factory at Leigh Street in 1909. By 1922 there were 300 employees, and a second factory was opened in 1927 at Spring Gardens, next to the railway line. From 1943, during World War II, furniture sales were controlled by rationing; the Board of Trade set up the Utility scheme which limited the types of furniture on sale and their cost, and a small number of simple designs were available in oak or mahogany. The ending of this scheme in December 1952, combined with the 1951 Festival of Britain, led to a pent-up demand for more modern furniture. In 1953, Donald Gomme, the designer at E Gomme, decided to produce a range of modern furniture for the entire house which could be bought piece-by-piece according to budgets. Advertising was part of the plan from the beginning. The name was coined by Doris Gundry of the J. Walter Thompson advertising agency, and the furniture was advertised in magazines and in cinemas direct to the public. Designs were available for several years so people could collect them slowly. All furniture was marked with a distinctive brand mark. Another part of the direct marketing was the showrooms where the public could see the furniture. There were small centres in the country, and "The G Plan Gallery" in Vogue House, St George Street, Hanover Square in London. Donald Gomme left the company in 1958, perhaps the peak of the company's success. In the early 1960s the government introduced restrictions on hire purchase (the most common method of purchasing furniture), and in response to competition from Danish furniture the company introduced a Danish Modern range (designed by Ib Kofod-Larsen), which made the rest of the range seem dated.
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