Reciting toneIn chant, a reciting tone (also called a recitation tone) can refer to either a repeated musical pitch or to the entire melodic formula for which that pitch is a structural note. In Gregorian chant, the first is also called tenor, dominant or tuba, while the second includes psalm tones (each with its own associated Gregorian mode) as well as simpler formulae for other readings and for prayers. Reciting tones occur in several parts of the Roman Rite.
OffertoryThe offertory (from Medieval Latin offertorium and Late Latin offerre) is the part of a Eucharistic service when the bread and wine for use in the service are ceremonially placed on the altar. A collection of alms (offerings) from the congregation, which may take place also at non-Eucharistic services, often coincides with this ceremony. The Eucharistic theology may vary among those Christian denominations that have a liturgical offertory.
PolyphonyPolyphony (pəˈlɪfəni ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice (monophony) or a texture with one dominant melodic voice accompanied by chords (homophony). Within the context of the Western musical tradition, the term polyphony is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal.
Mass in the Catholic ChurchThe Mass is the central liturgical service of the Eucharist in the Catholic Church, in which bread and wine are consecrated and become the body and blood of Christ. As defined by the Church at the Council of Trent, in the Mass "the same Christ who offered himself once in a bloody manner on the altar of the cross, is present and offered in an unbloody manner".
Use of SarumThe Use of Sarum (or Use of Salisbury, also known as the Sarum Rite) is the liturgical use of the Latin rites developed at Salisbury Cathedral and used from the late eleventh century until the English Reformation. It is largely identical to the Roman Rite, with about ten per cent of its material drawn from other sources. The cathedral's liturgy was widely respected during the late Middle Ages, and churches throughout the British Isles and parts of northwestern Europe adapted its customs for celebrations of the Eucharist and canonical hours.
ChantA chant (from French , from Latin , "to sing") is the iterative speaking or singing of words or sounds, often primarily on one or two main pitches called reciting tones. Chants may range from a simple melody involving a limited set of notes to highly complex musical structures, often including a great deal of repetition of musical subphrases, such as Great Responsories and Offertories of Gregorian chant. Chant may be considered speech, music, or a heightened or stylized form of speech.
PlainsongPlainsong or plainchant (calque from the French plain-chant; cantus planus) is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony. The monophonic chants of plainsong have a non-metric rhythm. Their rhythms are generally freer than the metered rhythm of later Western music, and they are sung without musical accompaniment.
Queen of HeavenQueen of Heaven (Regina Caeli) is a title given to the Virgin Mary, by Christians mainly of the Catholic Church and, to a lesser extent, in Anglicanism, Lutheranism, and Eastern Orthodoxy. The title has long been a tradition, included in prayers and devotional literature and seen in Western art in the subject of the Coronation of the Virgin from the High Middle Ages, long before it was given a formal definition status by the Church. The Catholic teaching on this subject is expressed in the papal encyclical Ad Caeli Reginam, issued by Pope Pius XII in 1954.
Anglican church musicAnglican church music is music that is written for Christian worship in Anglican religious services, forming part of the liturgy. It mostly consists of pieces written to be sung by a church choir, which may sing a cappella or accompanied by an organ. Anglican music forms an important part of traditional worship not only in the Church of England, but also in the Scottish Episcopal Church, the Church in Wales, the Church of Ireland, the Episcopal Church in the United States of America, the Anglican Church of Canada, the Anglican Church of Australia and other Christian denominations which identify as Anglican.
