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HUM-217: Musicology and aesthetics

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DH-401: Digital musicology

This course will introduce students to the central topics in digital musicology and core theoretical approaches and methods. In the practical part, students will carry out a practical project.

HUM-274: Musical theory and creativity

This course provides an introduction into music theory and analysis, composition, and creativity, and combines theoretical teaching with hands-on practical exercises and music making.

HUM-406: Music, politics and society I

Ce cours propose d'étudier la présence de particularités musicales exotiques (populaires et folkloriques) - en Europe et au-delà - dans la musique classique (XVIIe-XXe siècles). Il débouche sur la réd

HUM-458: Music, politics and society II

Ce cours propose d'étudier la présence de particularités musicales exotiques (populaires et folkloriques) - en Europe et au-delà - dans la musique savante (XVIIe-XXe siècles). Il débouche sur la rédac

HUM-242: Musicology and history of music

Retracer l'histoire de la pratique de l'improvisation dans la musique savante de la Renaissance à nos jours. Analyser les différents contextes, styles, genres musicaux dans lesquels l'improvisation pr

COM-500: Statistical signal and data processing through applications

Building up on the basic concepts of sampling, filtering and Fourier transforms, we address stochastic modeling, spectral analysis, estimation and prediction, classification, and adaptive filtering, w

COM-309: Introduction to quantum information processing

Information is processed in physical devices. In the quantum regime the concept of classical bit is replaced by the quantum bit. We introduce quantum principles, and then quantum communications, key d

ME-469: Nano-scale heat transfer

In this course we study heat transfer (and energy conversion) from a microscopic perspective. First we focus on understanding why classical laws (i.e. Fourier Law) are what they are and what are their

HUM-313: Musicology and history of music C

Ce cours propose d'étudier les rapports entre musique classique et cinéma à travers deux scénarios : a) musiques préexistantes extraites du répertoire classique (Bach, Beethoven, Ligeti, etc.) b) œuvr