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IMAGE (Imager for Magnetopause-to-Aurora Global Exploration, Explorer 78 or MIDEX-1) is a NASA Medium Explorer mission that studied the global response of the Earth's magnetosphere to changes in the solar wind. It was believed lost but as of August 2018 might be recoverable. It was launched 25 March 2000, at 20:34:43.929 UTC, by a Delta II launch vehicle from Vandenberg Air Force Base on a two-year mission. Almost six years later, it unexpectedly ceased operations in December 2005 during its extended mission and was declared lost.
Tone mapping is a technique used in and computer graphics to map one set of colors to another to approximate the appearance of high-dynamic-range images in a medium that has a more limited dynamic range. Print-outs, CRT or LCD monitors, and projectors all have a limited dynamic range that is inadequate to reproduce the full range of light intensities present in natural scenes. Tone mapping addresses the problem of strong contrast reduction from the scene radiance to the displayable range while preserving the image details and color appearance important to appreciate the original scene content.
In biology, adaptation has three related meanings. Firstly, it is the dynamic evolutionary process of natural selection that fits organisms to their environment, enhancing their evolutionary fitness. Secondly, it is a state reached by the population during that process. Thirdly, it is a phenotypic trait or adaptive trait, with a functional role in each individual organism, that is maintained and has evolved through natural selection. Historically, adaptation has been described from the time of the ancient Greek philosophers such as Empedocles and Aristotle.
If multiple images of a scene are available instead of a single image, we can use the additional information conveyed by the set of images to generate a higher quality image. This can be done along mu
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We address the problem of re-rendering images to high dynamic range (HDR) displays, which were originally tone-mapped to standard displays. As these new HDR displays have a much larger dynamic range t
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We propose a complete digital camera workflow to capture and render high dynamic range (HDR) static scenes, from RAW sensor data to an output- referred encoded image. In traditional digital camera pro