Publication

Interpreting Rhythm as Parsing: Syntactic-Processing Operations Predict the Migration of Visual Flashes as Perceived During Listening to Musical Rhythms

Related publications (51)

Hearing structure in music: An empirical inquiry into listening as representation and processing

As a universal expression of human creativity, music is capable of conveying great subtlety and complexity. Crucially, this complexity is not encoded in the score or in the sounds, but is rather construed in the mind of the listener in the form of nuanced ...

EPFL2024

Computational modeling of interval distributions in tonal space reveals paradigmatic stylistic changes in Western music history

Martin Alois Rohrmeier, Fabian Claude Moss, Robert Lieck

Diachronic stylistic changes in music are to a large extent affected by composers' different choices, for example regarding the usage of tones, intervals, and harmonies. Analyzing the tonal content of pieces of music and observing them over time is thus in ...

Springernature2024

Data-Driven Music Theory: Curating and Investigating Large Corpora of Digitally Encoded Music Analyses

Johannes Hentschel

This dissertation on data-driven music theory is centered around curatorial practices concerning the creation, publication, and evaluation of large, expert-annotated symbolic datasets. With its primary interest in the harmony of European tonal music from i ...

EPFL2024

The Structure of Free Polyphony

Christoph Finkensiep

The human ability to perceive and understand music is remarkable. From an unstructured stream of acoustic input it creates a wide range of experiences, from psycho-acoustic effects to emotional and aesthetic responses. One such set of phenomena is the expe ...

EPFL2023

The Python library ms3 makes scores (symbolic representations of music) operational for computational approaches by representing their contents as sets of tabular files. Music scores represent relations between sounding events by graphical means. The Free ...

2023

An automated music composition and generation system for automatically harmonizing digital pieces of music using an automated music composition and generation engine for multi-voice music harmonization, including a system-user interface configured to input ...

2023

MuseReduce: A Generic Framework for Hierarchical Music Analysis

Martin Alois Rohrmeier, Petter Harald Ericson

In comparison to computational linguistics, with its abundance of natural-language datasets, corpora of music analyses are rather fewer and generally smaller. This is partly due to difficulties inherent to the encoding of music analyses, whose multimodal r ...

Humanities Commons2023

In this theoretical study of abstraction in architecture—the first of its kind—Pier Vittorio Aureli argues for a reconsideration of abstraction, its meanings, and its sources. Although architects have typically interpreted abstraction in formal terms—the p ...

The MIT Press2023

Hearing functional harmony in jazz: A perceptual study on music-theoretical accounts of extended tonality

Martin Alois Rohrmeier, Daniel Harasim, Steffen Alexander Herff, Gabriele Cecchetti, Christoph Finkensiep

Functional harmony is an integral part of many repertoires in the Western musical practices, including both diatonic and extended tonality. In the latter context, music-theoretical accounts suggest that the three octatonic equivalence classes (OECs) consis ...

SAGE PUBLICATIONS LTD2022

Phantom Curves: Scientific Discovery through Interactive Music Visualization

Fabian Claude Moss, Daniel Harasim

We introduce phantom curves, a novel music-theoretical concept based on the discrete Fourier transform (DFT), and document the creative process that led to their discovery. In particular, we emphasize the importance of interactive web applications for musi ...

ACM2022

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