Concept
Grammaire
Publications associées (32)
Interpreting Rhythm as Parsing: Syntactic-Processing Operations Predict the Migration of Visual Flashes as Perceived During Listening to Musical Rhythms
Martin Alois Rohrmeier, Steffen Alexander Herff, Gabriele Cecchetti
Music can be interpreted by attributing syntactic relationships to sequential musical events, and, computationally, such musical interpretation represents an analogous combinatorial task to syntactic processing in language. While this perspective has been ...
Hoboken2023Quand les artistes font forme en habitant ensemble. Usages, présences, imaginaires.
Taking root within a historical and transversal perspective of communities of artists at work, and of the relationship that they nourish with the places that host their creative activity, the present research intends to bring to light the grammars of "the ...
EPFL2022Grammar-based generation of bar networks in static equilibrium with bounded bar lengths
Corentin Jean Dominique Fivet, Ioannis Mirtsopoulos
This paper presents a generative approach for the conceptual design of structures, which aims at exploring alternative bar networks in static equilibrium by means of a grammar rule. Operating on incomplete networks of bars in interim static equilibrium, th ...
2021Gramatron: Effective Grammar-Aware Fuzzing
Fuzzers aware of the input grammar can explore deeper program states using grammar-aware mutations. Existing grammar-aware fuzzers are ineffective at synthesizing complex bug triggers due to: (i) grammars introducing a sampling bias during input generation ...
ASSOC COMPUTING MACHINERY2021The Learnability of the Grammar of Jazz: Bayesian Inference of Hierarchical Structures in Harmony
Musical grammar describes a set of principles that are used to understand and interpret the structure of a piece according to a musical style.
The main topic of this study is grammar induction for harmony --- the process of learning structural principles f ...
EPFL2020Harmonic Syntax in Time: Rhythm Improves Grammatical Models of Harmony
Martin Alois Rohrmeier, Daniel Harasim
Music is hierarchically structured, both in how it is perceived by listeners and how it is composed. Such structure can be elegantly captured using probabilistic grammatical models similar to those used to study natural language. They address the complexit ...
ISMIR2019The creativity trap : semantic and pragmatic study of creative capitalism
The urban order has fashioned a new grammar. In literal terms, the theories of the creative class, creative economy and creative city function as a unit that is both descriptive and prescriptive; they have the advantage of taking into account the utility o ...
Revues Org2017