Concept

Color suite

Résumé
A color suite (also called a color bay, telecine suite, or color correction bay) is the control room for color grading video in a post-production environment. The video source could be from: a telecine, a video tape recorder (VTR), a motion picture film scanner, virtual telecine or a direct-to-disk recording (DDR) or the older system called a film chain. A high end broadcast color suite may use a Da Vinci Systems or Pandora International color corrector. If a VTR is the source for the video the room is often called a tape to tape suite. Many suites are designed to operate as a telecine suite or a tape to tape suite by changing the configuration of the suite. The operator of the suite is usually called a Colorist. If a telecine is the source this is called a Film to Tape operation. A color suite may use one video standard or be able to change configuration to a number of standards like: high-definition video, NTSC, or PAL or a DI workflow. Color suites are sometime placed in digital cinema movie theaters with a video projector for color correction to that . The suite room will also have equipment in the production control room for monitoring the video signal such a video monitor, waveform monitor and vectorscope. The suite may have an either a non-linear editing system (NLE) or linear editing system to control the source and record device. This may be internal to the color grading device, as in a Pandora's Pogle or Da Vinci's 2k or external, as in Da Vinci's TLC (telecine controller). A vision mixer may also be in the suite for monitoring different video sources or for simple or special effects in the video. A character generator is sometime used also for titling and subtitle. The suite may have equipment to read, log and insert into the video Kodak's Keykode. Keykode is bar coding that is placed at regular intervals on negative films to aid in identifying and counting of film frames. Evertz, Aaton and ARRI are three types of readers for telecine use. The suite may or may not have audio post production equipment.
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