Kesavignette|Bouddha, art gréco-bouddhique du Gandhara, vêtu, comme les statues grecques, du pallium philosophique semblable au kesa (statue du ou ) Le kesa (japonais 袈裟, provenant du , provenant lui même du काषाय ; IAST : kāṣāya (« teinté» (littéralement « couleur trouble ») ; pâli: kasāva ; 가사, gasa (hanja : 袈裟); vietnamien: cà-sa (袈裟); tibétain: ཆོས་གོས་ chougu], est la robe des moines et moniales bouddhistes. Il s’agit à l’origine d’une bande de tissu teinte en ocre, constituée de plusieurs pièces assemblées.
Kanishka CasketThe Kanishka casket or Kanishka reliquary, is a Buddhist reliquary made in gilded copper, and dated to the first year of the reign of the Kushan emperor Kanishka, in 127 CE. It is now in the Peshawar Museum in the historic city of Peshawar, Pakistan. It was discovered in a deposit chamber under the monumental Kanishka stupa (described by Chinese pilgrims in the 7th century as the tallest stupa in all India), during the archeological excavations in 1908-1909 in Shah-ji-Dheri on the outskirts of Peshawar.
SangitiparyayaSangitiparyaya (संगीतिपर्याय, IAST: Sangītiparyāya) or Samgiti-paryaya-sastra (संगीतिपर्याय शास्त्र, "recitation together") is one of the seven Sarvastivada Abhidharma Buddhist scriptures. It was composed by Mahakausthila (according to the Sanskrit and Tibetan sources) or Sariputra (according to the Chinese sources). The Chinese recension was translated by Xuanzang: T26, No. 1536, 阿毘達磨集異門足論, 尊者舍利子說, 三藏法師玄奘奉 詔譯, in 20 fascicles. Structurally, the Samgiti-paryaya is similar to the Dharma-skandha, though earlier, as the latter is mentioned in the former.
VijnanakayaVijñānakāya (विज्ञानकाय) or Vijñānakaya-śāstra (विज्ञानकायशास्त्र) is one of the seven Sarvāstivāda Abhidharma Buddhist scriptures. "Vijñānakāya" means "group or substance of consciousness". It was composed by Devasarman (according to both Sanskrit and Chinese sources), with the Chinese translated by Xuanzang: T26, No. 1539, 阿毘達磨識身足論, 提婆設摩阿羅漢造, 三藏法師玄奘奉 詔譯, in 16 fascicles. Vijñānakāya is the first Abhidharma text that is not attributed to a direct disciple of the Buddha, but written some 100 years after the Buddha's parinirvana, according to Xuanzang's disciple Puguang.
