Concept

Islamic ornament

Résumé
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque, using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy, consisting of religious texts with stylized appearance, used both decoratively and to convey meaning. All three often involve elaborate interlacing in various mediums. Islamic ornament has had a significant influence on European decorative art forms, especially as seen in the Western arabesque. Islamic art mostly avoids figurative images to avoid becoming objects of worship. This aniconism in Islamic culture encouraged artists to explore non-figural art, creating a general aesthetic shift toward mathematically-based decoration. Even before the preaching of Islam, the regions associated with the Islamic world today showed a preference for geometric and stylized vegetal decoration. As early as the fourth century, Byzantine architecture showcased influential forms of abstract ornament in stonework. Sasanian artists were influential in part through their experimentation with stucco as a decorative medium. The Islamic geometric patterns derived from designs used in earlier cultures: Greek, Roman, and Sasanian. They are one of three forms of Islamic decoration, the others being the arabesque based on curving and branching plant forms, and Islamic calligraphy; all three are frequently used together, in mediums such as mosaic, stucco, brickwork, and ceramics, to decorate religious buildings and objects. Authors such as Keith Critchlow argue that Islamic patterns are created to lead the viewer to an understanding of the underlying reality, rather than being mere decoration, as writers interested only in pattern sometimes imply. In Islamic culture, the patterns are believed to be the bridge to the spiritual realm, the instrument to purify the mind and the soul. David Wade states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation.
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