AR-433: UE H : GraphyExpérimenter les moyens graphiques de re-présentation de l'architecture.
Exercer la compétence de communiquer par ces moyens. Par une pratique répétée exerçant les relations œil, main, cerveau; par un
HUM-202: Artistic practices : photographMars est une image. Depuis son atterrissage sur Jezero en 2021, Perseverance se déplace sur Mars. Dans le cadre du cours, il s'agira d'imaginer une fiction en lien avec la conquête de la planète Mars,
HUM-269: History and theory of photographyLe cours propose une introduction à l'histoire de la photographie à travers la présentation de dix notions clés, analysées dans leur développement historique du 19e au 21e siècle.
AR-302(av): Studio BA6 (fala)Conception of collective housing within real-world constraints, through the problematized handling of a variety of modes of representation.
AR-402(av): Studio MA2 (fala)Conception of collective housing within real-world constraints, through the problematized handling of a variety of modes of representation.
AR-329: Constructing the view: built imagesWhat is meant by the term "image" as pictorial representation? How do we read, process and interpret images - and what premises can be derived from this for the conception and production of meaningful
MICRO-518: Quantitative imaging for engineersThis course will arm students with knowledge of different imaging techniques for practical measurements in many different fields of engineering.
Modalities will range from drone imaging all the way do
CIVIL-510: Quantitative imaging for engineersFirst 2 courses are Tuesday 16-19h!This course will arm students with knowledge of different imaging techniques for practical measurements in many different fields of civil engineering. Modalities wil
CH-443: Photochemistry IIFollowing "Photochemistry I", this course introduces the current theoretical models regarding the dynamics of electron transfer. It focuses then on photoredox processes at the surface of solids. Curre
AR-450: Montage and the metropolisThis course will introduce students to the concept of montage as a new paradigm for the perception, experience, and representation of urban and architectural space in modernity. Pursuing an interdisci
