Chakyar Koothu (pronounced tʃaːkjaːr kuːt̪ːɨ̆) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the Ramayana and the Mahabharata) and stories from the Puranas. Sometimes, however, it is also a traditional equivalent of the modern stand-up comedy act, incorporating commentary on current socio-political events (and personal comments directed at the members of the audience).
"Koothu" means dance ... which is a misnomer, as facial expressions are emphasized and there is minimal choreography. It is performed in the Koothambalam; a place inside Hindu temples specifically designed for performing Kutiyattam and Chakyar Koothu. Ideally, the performance takes place in conjunction with festivals, presented by members of the Chakyar community along with the Ambalavasi Nambiars.
It is a solo performance, by a narrator in a distinctive headgear and black moustache with his torso smeared with sandalwood paste and red dots all over the body. The headgear resembles snake’s hood, to symbolise the narration by Anantha, the thousand headed serpent.
The Chakyar narrates the story based on the Sanskrit style of "Champu Prabandha" - a mixture of prose (gadya) and poetry (shloka). He begins with a prayer to the deity of the temple. He then goes on to narrate a verse in Sanskrit before explaining it in Malayalam. The narration uses wit and humor to draw parallels with current events and local situations.
Koothu has traditionally been performed only by the Chakyar community. Two instruments accompany the performance - a mizhavu and a pair of ilathalam. This is different from the Nangiar Koothu, which is performed by women called Nangyarammas who belong to the Nambiar caste, and is a more highly refined theatre art.
Chakyar Koothu was originally performed only in Koothambalams of Hindu temples. It was Natyacharya- meaning a great teacher and practitioner of natyam (dramaturgy), a title accorded in his honour- Padma Shri Māni Mādhava Chākyār, a virtuoso of this art, who took Koothu and Kudiyattam outside the temples to the common people.
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Ottan Thullal (or Ottamthullal, Malayalam: ഓട്ടൻ തുള്ളൽ) is a recite-and-dance art-form of Kerala, India. It was introduced in the eighteenth century by Kunchan Nambiar, one of the Prachina Kavithrayam (three famous Malayalam-language poets). The folksy performance, often laced with humour intended at criticism of society, is accompanied by a mridangam (a barrel-shaped double-headed drum) and/or the handy idakka besides a pair of ilathalam cymbals.
thumb|right|200px|Un acteur typique de kathakali. Le kathakali (കഥകളി, (de katha histoire et kali, jeu, en malayâlam)) est une forme de théâtre dansé originaire de l'État du Kerala dans le Sud de l'Inde. Il est fixé il y a plus de cinq siècles à partir de formes traditionnelles comme le Krishnanattam et le Kutiyattam. Il est une combinaison spectaculaire de drame, de danse, de musique et de rituel. Les personnages, aux maquillages élaborés et aux costumes raffinés reconstituent des épisodes tirés des épopées hindoues, le Mahâbhârata, le Rāmāyana et de la vie de Krishna.