Sundanese dance

Sundanese dances (Tarian Sunda; ᮒᮛᮤ ᮞᮥᮔ᮪ᮓ) is a dance tradition that is a part of ritual, artistic expression as well as entertainment and social conduct among the Sundanese people of West Java and Banten, Indonesia. Sundanese dance is usually cheerful, dynamic and expressive, with flowing movements in-sync with the beat of kendang accompanied with Gamelan degung music ensemble. In Sundanese culture the term ngibing means "to dance", but it is indeed performed in particular Sundanese style, usually performed between male and female couple. In West Java, all it takes is a woman's voice and a drum beat to make a man get up and dance. Every men there breach ordinary standards of decorum and succumb to the rhythm at village ceremonies or weddings. The music the men dance to varies from traditional gong degung ensembles to the contemporary pop known as dangdut, but they consistently dance with great enthusiasm. Henry Spiller in "Erotic Triangles" draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing that Sundanese men use dance to explore and enact contradictions in their gender identities. Framing the three crucial elements of Sundanese dance—the female entertainer, the drumming, and men's sense of freedom—as a triangle. Among Sundanese dances perhaps Jaipongan is the most popular styles and form. Jaipongan dance could be performed solo by a female dancer, in group of female dancers, as couple between professional female and male dancers, or as couple when professional female dancers invite male audience to dance with them. Other Sundanese dances include Topeng Sunda, Kandagan, Merak, Sisingaan, and Badawang dances. The Merak dance (peafowl dance) is a dance performed by female dancers inspired by the movements of a peafowl and its feathers blended with the classical movements of Sundanese dance, it symbolises the beauty of nature. Some dances might incorporated Pencak Silat Sundanese style movements.