Kurdish danceKurdish dances (Govend, Dîlan, Helperkê, Helperge, Şayî; دیلان, گۆڤەند, ھەڵپەڕگە, ھەڵپەڕکێ, شایی) are a group of traditional dances among Kurds. It is a form of a circle dance, with a single or a couple of figure dancers often added to the geometrical center of the dancing circle. At times musicians playing on a drum or a double reed wind instrument known as a zurna, accompany the dancers. Often there are dancers twirling handkerchiefs who lead the half-circled group of dancers.
Dansevignette|redresse|Allégorie de la Danse, œuvre de William Bouguereau. La danse est une forme d'art vivant. C'est un mode d'expression éphémère constitué de séquences de mouvements de corps dans l'espace souvent accompagnés par de la musique. Les mouvements sont à dessein, intentionnellement rythmiques et façonnés culturellement. Les gestes sont principalement autres que ceux effectués lors d'activités motrices ordinaires et ont une valeur inhérente, esthétique et potentiellement symbolique.
Turkish folk danceTurkish folk dances are the folk dances of Turkey. Facing three seas, straddling important trade routes, Turkey has a complex, sophisticated culture, reflected in the variety of its dances. The dominant dance forms are types of line dance. There are many different types of folk dances performed in various ways in Turkey. Zeybek, Teke Zortlatması in Aegean region, Bar in Erzurum province, Halay in the central, southern, eastern, and southeastern parts of the country, Hora in Thrace, Horon in the eastern Black Sea region, Spoon dances in and around Konya, and Lezginka in Kars and Ardahan are some of the best known examples of these.
Armenian danceThe Armenian dance (Armenian: Հայկական պար) heritage has been considered the oldest and most varied in its respective region. From the fifth to the third millennia B.C., in the higher regions of Armenia, the land of Ararat, there are rock paintings of scenes of country dancing. These dances were most likely accompanied by certain kinds of songs or musical instruments. In the fifth century, Moses of Khoren (Movsés Khorenats'i) himself had heard of how the old descendants of Aram (that is Armenians) make mention of these things (epic tales) in the ballads for the lyre and their songs and dances.