Seriation (archaeology)

In archaeology, seriation is a relative dating method in which assemblages or artifacts from numerous sites in the same culture are placed in chronological order. Where absolute dating methods, such as radio carbon, cannot be applied, archaeologists have to use relative dating methods to date archaeological finds and features. Seriation is a standard method of dating in archaeology. It can be used to date stone tools, pottery fragments, and other artifacts. In Europe, it has been used frequently to reconstruct the chronological sequence of graves in a cemetery (e.g. Jørgensen 1992; Müssemeier, Nieveler et al. 2003). Two different variants of seriation have been applied: contextual seriation and frequency seriation (Renfrew and Bahn 1996, pp. 116–117). Whereas contextual seriation is based on the presence or absence of a design style, frequency seriation relies on measuring the proportional abundance or frequency of a design style. Contextual seriation is often used for reconstructing the chronological sequence of graves as only the presence or absence of a design style or type is important. Frequency seriation is applied in cases of large quantities of objects belonging to the same style. An example of this being assemblages of pottery shards that include roughly the same range of types, though in different proportions. Flinders Petrie excavated at Diospolis Parva in Egypt in the late nineteenth century. He found that the graves he was uncovering contained no evidence of their dates and their discrete nature meant that a sequence could not be constructed through their stratigraphy. Petrie listed the contents of each grave on a strip of cardboard and swapped the papers around until he arrived at a sequence he was satisfied with. He reasoned that the most accurate sequence would be the one where concentrations of certain design styles had the shortest duration across the sequence of papers (Renfrew and Bahn 1996, p. 116; Kendall 1971, p. 215; Shennan 1997, p. 341)).