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Concept
Danse baroque
Résumé
Baroque dance is dance of the Baroque era (roughly 1600–1750), closely linked with Baroque music, theatre, and opera.
The majority of surviving choreographies from the period are English country dances, such as those in the many editions of Playford's The Dancing Master. Playford only gives the floor patterns of the dances, with no indication of the steps. However, other sources of the period, such as the writings of the French dancing-masters Feuillet and Lorin, indicate that steps more complicated than simple walking were used at least some of the time.
English country dance survived well beyond the Baroque era and eventually spread in various forms across Europe and its colonies, and to all levels of society.
The great innovations in dance in the 17th century originated at the French court under Louis XIV, and it is here that we see the first clear stylistic ancestor of classical ballet. The same basic technique was used both at social events, and as theatrical dance in court ballets and at public theaters. The style of dance is commonly known to modern scholars as the French noble style or belle danse (French, literally "beautiful dance"), however it is often referred to casually as baroque dance in spite of the existence of other theatrical and social dance styles during the baroque era.
Primary sources include more than three hundred choreographies in Beauchamp–Feuillet notation, as well as manuals by Raoul Auger Feuillet and Pierre Rameau in France, Kellom Tomlinson, P. Siris, and John Weaver in England, and Gottfried Taubert in Germany (i.e. Leipzig, Saxony). This wealth of evidence has allowed modern scholars and dancers to recreate the style, although areas of controversy still exist. The standard modern introduction is Hilton.
French dance types include:
Allemande
Bourrée
Canarie (canary)
Chaconne
(French) courante
Entrée grave
Forlane (forlana)
Gavotte
Gigue
Loure (slow gigue)
Menuet (minuet)
Musette
Passacaille (passacaglia)
Passepied
Polonaise
Rigaudon
Sarabande
Tambourin
The English, working in the French style, added their own hornpipe to this list.
Source officielle
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