Discrimination against superheroes is a common theme and plot element in comic books and superhero fiction, usually as a way to explore the issue of superheroes operating in society or as commentary on other social concerns. Often in response to this are Registration Acts, fictional legislative bills that have been plot points used in various comic books and mediums which, when passed into law, enforce the regulation of extra-legal vigilante activity vs. criminal activity, or the mandatory registration of superpowered individuals with the government.
The issues that superheroes may be discriminated against, and that the government might seek to regulate the activities and civil rights of superheroes, who are either criminalized or deemed to be a threat to the safety of the general public, who may be denied habeas corpus or detained indefinitely without trial, or viewed as valuable national security resource subject to forced conscription without notice in times of crisis, have also been explored in other comics, such as those featuring DC's Justice Society of America team, series like Watchmen, Astro City and Powers; the films The Return of Captain Invincible (1983) and The Incredibles (2004); and in role-playing games Brave New World (1999) and Dawn of Legends for Savage Worlds.
This plot point is especially rich and extensively explored in the fictional universes of various comic book stories that are published by Marvel Comics. The first mention of the broad concept was in Uncanny X-Men #141 (January 1981). The actual term "Registration Act" was first used in Uncanny X-Men #181 (May 1984). As their names suggest, Mutant Registration Act and Superhuman Registration Act deal with the registration of mutants and superhumans respectively. The Mutant Registration Act has also been featured in both the original X-Men animated series and the X-Men films. Numerous versions of each bill have been proposed at different times and in different jurisdictions in the Marvel Universe.
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Plonge dans l'impact économique et culturel des super-héros, explorant leur évolution de la bande dessinée au cinéma et aux aspects commerciaux de l'industrie.
Erik Lehnsherr, also known as Magneto, is a character primarily portrayed by Ian McKellen and Michael Fassbender in 20th Century Fox's X-Men film series. Based on the Marvel Comics character of the same name, he has appeared in eight installments of the franchise. McKellen played Magneto in the original trilogy films X-Men (2000), X2 (2003) and X-Men: The Last Stand (2006), in addition to making a cameo in The Wolverine (2013); while Fassbender portrayed a younger version of the character in the prequel films X-Men: First Class (2011), X-Men: Apocalypse (2016) and Dark Phoenix (2019).
Superhero fiction is a genre of speculative fiction examining the adventures, personalities and ethics of costumed crime fighters known as superheroes, who often possess superhuman powers and battle similarly powered criminals known as supervillains. The genre primarily falls between hard fantasy and soft science fiction in the spectrum of scientific realism. It is most commonly associated with American comic books, though it has expanded into through adaptations and original works.
Henry « Hank » McCoy, alias le Fauve (« Beast » en version originale) est un super-héros évoluant dans l'univers Marvel de la maison d'édition Marvel Comics. Créé par le scénariste Stan Lee et le dessinateur Jack Kirby, le personnage de fiction apparaît pour la première fois dans le comic book Uncanny X-Men () #1 en septembre 1963. Le Fauve est un mutant, membre des X-Men et des Vengeurs. Henry « Hank » McCoy est un mutant dont les pouvoirs étaient manifestes dès sa naissance, avec des mains et des pieds exceptionnellement grands.