Concept

Live-action animated film

A live-action animated feature film is a film that combines live-action filmmaking with animation. Films that are both live-action and computer-animated feature films tend to have fictional characters or figures represented and characterized by cast members through motion capture and then animated and modeled by animators. Films that are live-action and traditionally animated use hand-drawn, (CGI) or stop-motion animation. During the silent film era in 1920s and 1930s, the popular animated cartoons of Max Fleischer included a series in which his cartoon character, Koko the Clown, interacted with the live world; for example, having a boxing match with a live kitten. In a variation from this and inspired by Fleischer, Walt Disney's first directorial efforts, years before Oswald the Lucky Rabbit was born in 1927 and Mickey Mouse in 1928, were the live-action animated Alice Comedies cartoons, in which a young live-action girl named Alice interacted with animated cartoon characters. Many previous films have combined live-action with stop-motion animation using back projection, such as Willis O'Brien and Ray Harryhausen films in the United States, and Aleksandr Ptushko, Karel Zeman and, more recently, Jan Švankmajer in Eastern Europe. The first feature film combining these forms was The Lost World (1925). In the Soviet film The New Gulliver (1935), the only character who was not animated was Gulliver himself. The 1940 Warner Bros. cartoon You Ought to Be in Pictures, directed by Friz Freleng, featured Warner Bros. characters interacting with live-action people. The animated sequence in the 1945 film Anchors Aweigh, in which Gene Kelly dances with an animated Jerry Mouse, is one of the actor/dancer's most famous scenes. Throughout the decades, Disney experimented with mixed segments of live-action and animation in several notable films, which are primarily considered live-action. In the Latin American film pair Saludos Amigos (1943) and The Three Caballeros (1945), Donald Duck cavorts with several Latin-American dancers, plus Aurora Miranda (sister of Carmen Miranda), who gives him a kiss.

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