The City Beautiful movement was a reform philosophy of North American architecture and urban planning that flourished during the 1890s and 1900s with the intent of introducing beautification and monumental grandeur in cities. It was a part of the progressive social reform movement in North America under the leadership of the upper-middle class concerned with poor living conditions in all major cities. The movement, which was originally associated mainly with Chicago, Cleveland, Detroit, Kansas City and Washington, D.C., promoted beauty not only for its own sake, but also to create moral and civic virtue among urban populations.
Advocates of the philosophy believed that such beautification could promote a harmonious social order that would increase the quality of life, while critics would complain that the movement was overly concerned with aesthetics at the expense of social reform; Jane Jacobs referred to the movement as an "architectural design cult."
The movement began in the United States in response to crowding in tenement districts, a consequence of high birth rates, increased immigration and internal migration of rural populations into cities. The movement flourished for several decades, and in addition to the construction of monuments, it also achieved great influence in urban planning that endured throughout the 20th century, particularly in regard to United States public housing projects. The "Garden City" movement in Britain influenced the contemporary planning of some newer suburbs of London, and there was cross-influence between the two aesthetics, one based in formal garden plans and urbanization schemes and the other, with its "semi-detached villas" evoking a more rural atmosphere.
The particular architectural style of the movement borrowed mainly from the contemporary Beaux-Arts and neoclassical architectures, which emphasized the necessity of order, dignity, and harmony.
The first large-scale elaboration of the City Beautiful occurred in Chicago at the 1893 World's Columbian Exposition.
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thumb|upright=1.5|Cité-jardin Le Logis, Watermael-Boitsfort (Bruxelles) La 'cité-jardin' est un concept théorisé par l'urbaniste britannique Ebenezer Howard en 1898, dans son livre To-morrow : A peaceful path to real reform. C'est une manière de penser la ville qui s'oppose à la ville industrielle polluée et dont on ne contrôle plus le développement pendant la révolution industrielle et qui s'oppose également à la campagne (considérée comme trop loin des villes).
New York (prononcé en anglais : ), officiellement nommée en, connue également sous les noms et abréviations de en ou en (pour éviter la confusion avec l'État de New York), et dont le surnom le plus connu est , est la plus grande ville des États-Unis en nombre d'habitants et l'une des plus importantes du continent américain et du monde. Elle se situe dans le Nord-Est du pays, sur la côte atlantique, à l'extrémité sud-est de l'État de New York. La ville de New York se compose de cinq arrondissements appelés boroughs : Manhattan, Brooklyn, Queens, le Bronx et Staten Island.
thumb|upright=1.3|Le monumental portail du Petit Palais, Paris, 1900. thumb|upright=1.3|Centre culturel en Argentine. Le style Beaux-Arts, conception due aux historiographes de l'architecture américaine (sous le nom de Beaux-Arts style ou encore Modern French), est une forme tardive d'éclectisme. Il obtient un grand retentissement aux États-Unis à partir des années 1860 et jusqu'au milieu du . En Angleterre, on parle d’architecture victorienne, le règne de la reine Victoria couvrant les périodes françaises du style Napoléon III et du style Beaux-Arts.
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