Publications associées à Hauteur (musique)

Power performance of a model floating wind turbine subjected to cyclic pitch motion: A wind tunnel study

Fernando Porté Agel, Guiyue Duan, Daniele Gattari

Wind tunnel experiments were performed with a miniature floating wind turbine model to study the effects of cyclic pitch motion on its power performance. The cyclic pitch motion was prescribed by two key parameters: pitch frequency and amplitude. The power ...

IOPscience2024

Computational modeling of interval distributions in tonal space reveals paradigmatic stylistic changes in Western music history

Martin Alois Rohrmeier, Fabian Claude Moss, Robert Lieck

Diachronic stylistic changes in music are to a large extent affected by composers' different choices, for example regarding the usage of tones, intervals, and harmonies. Analyzing the tonal content of pieces of music and observing them over time is thus in ...

Springernature2024

Observation of non-reciprocal harmonic conversion in real sounds

Romain Christophe Rémy Fleury, Hervé Lissek, Xinxin Guo

Reciprocity guarantees that in most media, sound transmission is symmetric between two points of space when the location of the source and receiver are interchanged. This fundamental law can be broken in non-linear media, often at the cost of detrimental i ...

2023

Hearing functional harmony in jazz: A perceptual study on music-theoretical accounts of extended tonality

Martin Alois Rohrmeier, Daniel Harasim, Steffen Alexander Herff, Gabriele Cecchetti, Christoph Finkensiep

Functional harmony is an integral part of many repertoires in the Western musical practices, including both diatonic and extended tonality. In the latter context, music-theoretical accounts suggest that the three octatonic equivalence classes (OECs) consis ...

SAGE PUBLICATIONS LTD2022

Phantom Curves: Scientific Discovery through Interactive Music Visualization

Daniel Harasim, Fabian Claude Moss

We introduce phantom curves, a novel music-theoretical concept based on the discrete Fourier transform (DFT), and document the creative process that led to their discovery. In particular, we emphasize the importance of interactive web applications for musi ...

ACM2022

Discovering Tonal Profiles with Latent Dirichlet Allocation

Martin Alois Rohrmeier, Fabian Claude Moss

Music analysis, in particular harmonic analysis, is concerned with the way pitches are organized in pieces of music, and a range of empirical applications have been developed, for example, for chord recognition or key finding. Naturally, these approaches r ...

2021

Learning music composition with recurrent neural networks

Florian François Colombo

Throughout this thesis, we are interested in modeling music composition. To do so, we study the association of music theory concepts with the learning capabilities of recurrent neural networks. Especially, we explore numerical formalizations of music so th ...

EPFL2021

Western listeners detect boundary hierarchy in Indian music: a segmentation study

Martin Alois Rohrmeier, Tudor Popescu

How are listeners able to follow and enjoy complex pieces of music? Several theoretical frameworks suggest links between the process of listening and the formal structure of music, involving a division of the musical surface into structural units at multip ...

NATURE RESEARCH2021

A guideline for linking brain wave findings to the various aspects of discrete perception

Michael Herzog, Lukas Vogelsang, Maëlan Quentin Menétrey

Brain waves, determined by electrical and magnetic brain recordings (e.g., EEG and MEG), and fluctuating behavioral responses, determined by response time or accuracy measures, are frequently taken to support discrete perception. For example, it has been p ...

2021

Comb Transducer for Generation of SH0 Mode in Crystalline Piezoelectric Membrane

Soumya Yandrapalli, Victor Plessky

It is shown that the comb IDT (CT) can efficiently excite SH0 mode in piezoelectric membrane of suitable orientation. The transducer has pitch equal to the wavelength (p=lambda) and the electrode size is half of the wavelength. As compared to conventional ...

IEEE2020