Physical theatre is a genre of theatrical performance that encompasses storytelling primarily through physical movement. Although several performance theatre disciplines are often described as "physical theatre," the genre's characteristic aspect is a reliance on the performers' physical motion rather than, or combined with, text to convey storytelling. Performers can communicate through various body gestures (including using the body to portray emotions).
Certain institutions suggest that all physical theatre genres share common characteristics, although individual performances do not need to exhibit all such characteristics to be defined as physical theatre. Research into the training or "work" of physical theatre artists cites an amalgamation of numerous elements adopted as a means to further inform the theatrical research/production. These elements include:
Inter-disciplinary origins, spanning music, dance, visual art, etc., as well as theatre
Challenging the traditional, proscenium arch, and the traditional performer/audience relationship (also known as "breaking the fourth wall").
Encouraging audience participation, any interaction that occurs physically throughout the course of a performance.
Some practitioners, such as Lloyd Newson, despite being the first company to incorporate the term Physical Theater into his company's title (DV8 Physical Theater), have expressed concern that the expression is now being used as a "miscellaneous" category, which includes anything that does not fall neatly into literary dramatic theater or contemporary dance. Newson is also frustrated that many companies and performers who describe what they do as physical theatre lack physical skills, training and/or expertise in movement. As such, contemporary theatre approaches (including post-modern performance, devised performance, visual performance, post-dramatic performance, etc.), while having their own distinct definitions, are often simply labelled "physical theatre" for no other reason than they are unusual in some way.