Somali literature is the literature used by the ethnic Somalis of Somalia, Somaliland, Djibouti, Yemen, Eritrea, Ogadenia, and Kenya. Due to the Somali people's passionate love for and facility with poetry, Somalia has also been called by, among others, the Canadian novelist and scholar Margaret Laurence, a "Nation of Poets" and a "Nation of Bards". The 19th-century British explorer Richard Francis Burton, who visited the Somali Peninsula, similarly recounts in his book First Footsteps in East Africa how: The country teems with poets... every man has his recognized position in literature as accurately defined as though he had been reviewed in a century of magazines - the fine ear of this people causing them to take the greatest pleasure in harmonious sounds and poetic expressions ... Every chief in the country must have a panegyric to be sung by his clan, and the great patronize light literature by keeping a poet. According to Canadian novelist and scholar Margaret Laurence, who originally coined the term "Nation of Poets" to describe the Somali Peninsular, the Eidagale sub-section of the Garhajis clan were viewed as "the recognized experts in the composition of poetry" by their fellow Somali contemporaries: Among the tribes, the Eidagalla are the recognized experts in the composition of poetry. One individual poet of the Eidagalla may be no better than a good poet of another tribe, but the Eidagalla appear to have more poets than any other tribe. “if you had a hundred Eidagalla men here,” Hersi Jama once told me, “And asked which of them could sing his own gabei ninety-five would be able to sing. The others would still be learning.” There is a crucial distinction between the different forms of Somali poetry. The forms differ by number of syllables in each verse of poem. Observing that "some say he was 'peerless' and his 'noble lines' .. are commonly quoted throughout the Somali peninsula", Samatar concurs with J.