(from) the repertoire : an architectural theory of operations.Oral and embodied knowledge in architectural and spatial practices.
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Resource management processes that lead to value creation for customers are not yet fully understood. This paper sheds light on managerial decisions regarding the processes of structuring, bundling and leveraging of external resources that possess knowledg ...
The chapter is based on new empirical data collected through primary surveys and in-depth interviews with Indian skilled migrants in Europe and with returnees in India. The study found that Indian skilled professionals, scientists and students are contribu ...
The advantage of the dynamism of the London architectural scene seems rather ignored by historians and theorists. Not only is London absent from the grand narrative of modernity, but it is also denied the status of avant-garde, although since the 1960s, th ...
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Another Short History of Architecture without Content The second iteration of Architecture without Content at EPFL is the eighth incarnation of a studio that started three years ago at Columbia University. Back then it was intended as a study of the Big Bo ...
The notion of physiological comfort – meaning responses to temperature and humidity but also to lighting and acoustics – has been a driving force in architectural production throughout the twentieth century. Whether concealed, embedded, exposed, or ‘featur ...
Presses polytechniques et universitaires romandes2016
Calcularis is a computer-based training program which focuses on basic numerical skills, spatial representation of numbers and arithmetic operations. The program includes a user model allowing flexible adaptation to the child's individual knowledge and lea ...
This book presents the first part of an investigation in the possibility of a universal territorial architecture with a radically simple materiality. Essentially, our contemporary iteration of the Roman project is a negotiation of the European territory th ...
For 17th century lexicographer and writer Antoine Furetière, the terms pertaining to all arts and sciences are the mortar that holds together the edifice of language. In that sense, Furetière’s language is founded in large part upon the words used to descr ...