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The essential aspects of drawing cannot be taught theoretically. They can only be learned through practice by creating a certain intimacy with the work. The action of hand drawing initiates a transformative bodily experience generating intensities, frictions, and new knowledge, linked to key aspects of drawing such as transparency, density, materiality, and depth that only the one who draws can access (tacit knowledge).
Sarah Irene Brutton Kenderdine, Yumeng Hou, Fadel Mamar Seydou