A Kanbun is a form of Classical Chinese used in Japan from the Nara period to the mid-20th century. Much of Japanese literature was written in this style and it was the general writing style for official and intellectual works throughout the period. As a result, Sino-Japanese vocabulary makes up a large portion of the Japanese lexicon and much classical Chinese literature is accessible to Japanese readers in some resemblance of the original. The corresponding system in Korean is gugyeol (口訣/구결).
The Japanese writing system originated through adoption and adaptation of Written Chinese. Some of Japan's oldest books (e.g., Nihon Shoki) and dictionaries (e.g., Tenrei Banshō Meigi and Wamyō Ruijushō) were written in kanbun. Other Japanese literary genres have parallels; the Kaifūsō is the oldest collection of Kanshi "Chinese poetry composed by Japanese poets". Burton Watson's English translations of kanbun compositions provide an introduction to this literary field.
Samuel Martin coined the term "Sino-Xenic" in 1953 to describe Chinese as written in Japan, Korea, and other "foreign" (hence "-xenic") zones on China's periphery. Roy Andrew Miller notes that although Japanese kanbun conventions have Sino-Xenic parallels with other traditions for reading Classical Chinese like Korean hanmun 한문 (漢文) and Vietnamese Hán Văn (Hán Văn/漢文), only kanbun has survived into the present day. He explains how
in the Japanese kanbun reading tradition a Chinese text is simultaneously punctuated, analyzed, and translated into classical Japanese. It operates according to a limited canon of Japanese forms and syntactic structures which are treated as existing in a one-to-one alignment with the vocabulary and structures of classical Chinese. At its worst, this system for reading Chinese as if it were Japanese became a kind of lazy schoolboy's trot to a classical text; at its best, it has preserved the analysis and interpretation of large body of literary Chinese texts which would otherwise have been completely lost; hence, the kanbun tradition can often be of great value for an understanding of early Chinese literature.
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The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana. Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalised Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis. Almost all written Japanese sentences contain a mixture of kanji and kana.
In modern Japanese, ateji principally refers to kanji used to phonetically represent native or borrowed words with less regard to the underlying meaning of the characters. This is similar to man'yōgana in Old Japanese. Conversely, ateji also refers to kanji used semantically without regard to the readings. For example, the word "sushi" is often written with its ateji "寿司". Though the two characters have the readings 'su' and 'shi' respectively, the character '寿' means "one's natural life span" and '司' means "to administer", neither of which has anything to do with the food.
Japanese literature throughout most of its history has been influenced by cultural contact with neighboring Asian literatures, most notably China and its literature. Early texts were often written in pure Classical Chinese or Chinese writing, a Chinese-Japanese creole language. Indian literature also had an influence through the spread of Buddhism in Japan. During the Heian period, Japan's original kokufū culture (national culture) developed and literature also established its own style, with the significant usage and development of kana to write Japanese literature.