Tracery is an architectural device by which windows (or screens, panels, and vaults) are divided into sections of various proportions by stone bars or ribs of moulding. Most commonly, it refers to the stonework elements that support the glass in a window. The purpose of the device is practical as well as decorative, because the increasingly large windows of Gothic buildings needed maximum support against the wind. The term probably derives from the tracing floors on which the complex patterns of windows were laid out in late Gothic architecture. Tracery can be found on the exterior of buildings as well as the interior.
There are two main types: plate tracery and the later bar tracery. The evolving style from Romanesque to Gothic architecture and changing features, such as the thinning of lateral walls and enlarging of windows, led to the innovation of tracery. The earliest form of tracery, called plate tracery, began as openings that were pierced from a stone slab. Bar tracery was then implemented, having derived from the plate tracery. However, instead of a slab, the windows were defined by moulded stone mullions, which were lighter and allowed for more openings and intricate designs.
Pointed arch windows of Gothic buildings were initially (late 12th–late 13th centuries) lancet windows, a solution typical of the Early Gothic or First Pointed style and of the Early English Gothic. Plate tracery was the first type of tracery to be developed, emerging in the style called High Gothic. High Gothic is distinguished by the appearance of bar tracery, allowing the construction of much larger window openings, and the development of Curvilinear, Flowing, and Reticulated tracery, ultimately contributing to the Flamboyant style. Late Gothic in most of Europe saw tracery patterns resembling lace develop, while in England Perpendicular Gothic or Third Pointed preferred plainer vertical mullions and transoms.
Plate tracery, in which lights were pierced in a thin wall of ashlar, allowed a window arch to have more than one light – typically two side by side and separated by flat stone spandrels.
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Ce cours traite des 3 sujets suivants : la perspective, la géométrie descriptive, et une initiation à la géométrie projective.
Le cours présente les bases du comportement des structures, de la détermination des efforts qui y agissent et les principes de leur dimensionnement. Le cours est basé sur la résolution des efforts par
Delves into the geometric principles of Gothic architecture, focusing on surface curvature and stereotomy techniques.
Explores the design of flying buttresses and pointed arches in Gothic architecture, emphasizing reaction forces and weight distribution.
Explores the analysis and construction of Gothic surfaces, focusing on intricate geometrical details and techniques used in architectural design.
Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and objets d'art created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany.
Stonemasonry or stonecraft is the creation of buildings, structures, and sculpture using stone as the primary material. Stonemasonry is the craft of shaping and arranging stones, often together with mortar and even the ancient lime mortar, to wall or cover formed structures. The basic tools, methods and skills of the banker mason have existed as a trade for thousands of years. It is one of the oldest activities and professions in human history.
Gothic cathedrals and churches are religious buildings created in Europe between the mid-12th century and the beginning of the 16th century. The cathedrals are notable particularly for their great height and their extensive use of stained glass to fill the interiors with light. They were the tallest and largest buildings of their time and the most prominent examples of Gothic architecture. The appearance of the Gothic cathedral was not only a revolution in architecture; it also introduced new forms in decoration, sculpture, and art.
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