Concept

Minstrel show

Summary
The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white actors wearing blackface makeup for the purpose of comically portraying racial stereotypes of African Americans by playing the role of black minstrels. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows stereotyped blacks as dimwitted, lazy, buffoonish, cowardly, superstitious, and happy-go-lucky. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. Blackface minstrelsy was the first uniquely American form of theater. Minstrel shows emerged as brief burlesques and comic entr'actes in the early 1830s in the Northeastern states. They were developed into full-fledged art form in the next decade. By 1848, blackface minstrel shows were the national artform, translating formal art such as opera into popular terms for a general audience. By the turn of the 20th century, the minstrel show enjoyed but a shadow of its former popularity, having been replaced for the most part by the Vaudeville style of theatre. The form survived as professional entertainment until about 1910; amateur performances continued until the 1960s in high schools and local theaters. The genre has had a lasting legacy and influence and was featured in the British television series The Black and White Minstrel Show as recently as the mid-1970s. Generally, as the civil rights movement progressed and gained acceptance, minstrelsy lost popularity. The typical minstrel performance followed a three-act structure. The troupe first danced onto stage then exchanged wisecracks and sang songs. The second part featured a variety of entertainments, including the pun-filled stump speech. The final act consisted of a slapstick musical plantation skit or a send-up of a popular play. Minstrel songs and sketches featured several stock characters, most popularly the slave and the dandy.
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