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Concept
Math rock
Summary
Math rock is a style of alternative and indie rock with roots in bands such as King Crimson and Rush. It is characterized by complex, atypical rhythmic structures (including irregular stopping and starting), counterpoint, odd time signatures, and extended chords. It bears similarities to post-rock.
Math rock is typified by its rhythmic complexity, seen as mathematical in character by listeners and critics. While most rock music uses a meter (however accented or syncopated), math rock makes use of more non-standard, frequently changing time signatures such as , , , or .
As in traditional rock, the sound is most often dominated by guitars and drums. However, drums play a greater role in math rock in providing driving, complex rhythms. Math rock guitarists make use of tapping techniques and loop pedals to build on these rhythms, as illustrated by songs like those of "math rock supergroup" Battles.
Lyrics are generally not the focus of math rock; the voice is treated as just another instrument in the mix. Often, vocals are not overdubbed, and are positioned less prominently, as in the recording style of Steve Albini. Many of math rock's best-known groups are entirely instrumental such as Don Caballero or Hella.
The term began as a joke but has developed into the accepted name for the musical style. One advocate of this is Matt Sweeney, singer with Chavez, a group often linked to the math rock scene. Despite this, not all critics see math rock as a serious sub-genre of rock.
A significant intersection exists between math rock and emo, exemplified by bands such as Tiny Moving Parts or American Football, whose sound has been described as "twinkly, mathy rock, a sound that became one of the defining traits of the emo scene throughout the 2000s".
List of math rock groups
The albums Red and Discipline by King Crimson, Spiderland by Slint are generally considered seminal influences on the development of math rock. The Canadian punk rock group Nomeansno (founded in 1979 and inactive as of 2016) have been cited by music critics as a "secret influence" on math rock, predating much of the genre's development by more than a decade.
Official source
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