Enrique del Moral Dominguez (21 January 1905 – 11 June 1987) was a Mexican architect and an exponent of the functionalism movement, a modernist group that included Mexican artists and architects such as José Villagrán Garcia, Carlos Obregón Santacilia, Juan O'Gorman, Eugenio Peschard, Juan Legarreta, Carlos Tarditti, Enrique de la Mora and Enrique Yanez. The movement developed from innovative concepts presented by Frank Lloyd Wright, Le Corbusier, Mies van der Rohe and the Bauhaus school as well as Die Stijl, and remodeled the profile of cosmopolitan Mexico City and other cities in the 1930s.
Over a span of more than fifty years, Enrique de Moral was designer and builder of over 100 public and private works in large metropolitan areas such as Mexico City as well as his hometown of Irapuato, but is primarily known for his role in the overall plan of the Ciudad Universitaria (1947–1952), site of the National Autonomous University of Mexico (UNAM), along with the architects Mario Pani and Salvador Ortega. He was responsible for the direction and coordination of the master project and the Rectorship Tower, one of the most representative features of the campus.
Del Moral modernized curricula during his time as director of the Faculty of Architecture (UNAM) (1944–1949), incorporating philosophies acquired from like-minded architects such as Mies van der Rohe at the Illinois Institute of Technology as well as Mexican philosophy on esthetic espoused by Dr. Jose Gaos in the Faculty of Philosophy and Literature (UNAM). He dedicated a large amount of his academic life to lecturing both domestically and abroad, and published books and essays on the evolution of architectural styles. He theorized about functionalism in Mexico and debated controversial issues of his time, such as the integration of plastic arts into architecture, and promoted the conservation of cities, approaching architecture in a way that could find balance between traditional and modern styles.
This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.
Ludwig Mies van der Rohe (miːs...roʊ ; ˈluːtvɪç ˈmiːs fan deːɐ̯ ˈʁoːə; born Maria Ludwig Michael Mies; March 27, 1886 - August 17, 1969) was a German-American architect, academic, and interior designer. He was commonly referred to as Mies, his surname. Along with Alvar Aalto, Le Corbusier, Walter Gropius and Frank Lloyd Wright, he is regarded as one of the pioneers of modernist architecture. In the 1930s, Mies was the last director of the Bauhaus, a ground-breaking school of modernist art, design and architecture.
The International Style or internationalism is a major architectural style that was developed in the 1920s and 1930s and was closely related to modernism and modernist architecture. It was first defined by Museum of Modern Art curators Henry-Russell Hitchcock and Philip Johnson in 1932, based on works of architecture from the 1920s. The terms rationalist architecture and modern movement are often used interchangeably with International Style, although the former is mostly used in the English-speaking world to specifically refer to the Italian rationalism, or even the International Style that developed in Europe as a whole.
Subtile alliance de haute technologie et d’empirisme, le concept de rozière a démontré toute son efficacité pendant le vol autour du monde. Deux modifications majeures ont été réalisées entre les ballons Orbiter 2 et 3. Soulevons un coin du voile.