The Myth of Sisyphus (Le mythe de Sisyphe) is a 1942 philosophical essay by Albert Camus.
Influenced by philosophers such as Søren Kierkegaard, Arthur Schopenhauer, and Friedrich Nietzsche, Camus introduces his philosophy of the absurd. The absurd lies in the juxtaposition between the fundamental human need to attribute meaning to life and the "unreasonable silence" of the universe in response. Camus claims that the realization of the absurd does not justify suicide, and instead requires "revolt". He then outlines several approaches to the absurd life. In the final chapter, Camus compares the absurdity of man's life with the situation of Sisyphus, a figure of Greek mythology who was condemned to repeat forever the same meaningless task of pushing a boulder up a mountain, only to see it roll down again. The essay concludes, "The struggle itself towards the heights is enough to fill a man's heart. One must imagine Sisyphus happy."
The work can be seen in relation to other absurdist works by Camus: the novel The Stranger (1942), the plays The Misunderstanding (1942) and Caligula (1944), and especially the essay The Rebel (1951).
Camus began the work in 1940, during the Fall of France, when millions of refugees fled from advancing German armies. While the essay rarely refers to this event, Robert Zaretsky argues that the event prompted his ideas of the absurd. He claims that both a banal event and something as intense as a German invasion will prompt someone to ask "why?". The essay was published in French in 1942.
The English translation by Justin O'Brien was first published in 1955. Included in the translated version is a preface written by Camus while in Paris in 1955. Here Camus states that "even if one does not believe in God, suicide is not legitimate".
The essay is dedicated to Pascal Pia and is organized in four chapters and one appendix.
This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.
Absurdism is the philosophical theory that the universe is irrational and meaningless. It states that trying to find meaning leads people into a conflict with the world. This conflict can be between rational man and an irrational universe, between intention and outcome, or between subjective assessment and objective worth. But the precise definition of the term is disputed. Absurdism claims that the world as a whole is absurd. It differs in this regard from the less global thesis that some particular situations, persons, or phases in life are absurd.
Philosophical pessimism is a family of philosophical views that assign a negative value to life or existence. Philosophical pessimists commonly argue that the world contains an empirical prevalence of pains over pleasures, that existence is ontologically or metaphysically adverse to living beings, and that life is fundamentally meaningless or without purpose. Their responses to this condition, however, are widely varied and can be life-affirming.
Franz Kafka (3 July 1883 – 3 June 1924) was a German-speaking Bohemian novelist and short-story writer based in Prague, who is widely regarded as one of the major figures of 20th-century literature. His work fuses elements of realism and the fantastic. It typically features isolated protagonists facing bizarre or surrealistic predicaments and incomprehensible socio-bureaucratic powers. It has been interpreted as exploring themes of alienation, existential anxiety, guilt, and absurdity.