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Concept
Stage lighting
Summary
Stage lighting is the craft of lighting as it applies to the production of theater, dance, opera, and other performance arts. Several different types of stage lighting instruments are used in this discipline. In addition to basic lighting, modern stage lighting can also include special effects, such as lasers and fog machines. People who work on stage lighting are commonly referred to as lighting technicians or lighting designers.
The equipment used for stage lighting (e.g. cabling, dimmers, lighting instruments, controllers) are also used in other lighting applications, including corporate events, concerts, trade shows, broadcast television, film production, photographic studios, and other types of live events. The personnel needed to install, operate, and control the equipment also cross over into these different areas of "stage lighting" applications.
The earliest known form of stage lighting was during the early Grecian (and later the Roman) theaters. They would build their theatres facing east to west so that in the afternoon they could perform plays and have the natural sunlight hit the actors, but not those seated in the orchestra. Natural light continued to be utilized when playhouses were built with a large circular opening at the top of the theater. Early Modern English theaters were roofless, allowing natural light to be utilized for lighting the stage. As theaters moved indoors, artificial lighting became a necessity and it was developed as theaters and technology became more advanced. At an unknown date, candlelight was introduced which brought more developments to theatrical lighting across Europe.
While Oliver Cromwell was ruling Britain, all stage production was suspended in 1642 and no advancements were made to English theaters. During this theatrical famine, great developments were being made in theaters on the European mainland. Charles II, who would later become King Charles II witnessed Italian theatrical methods and brought them back to England when he came to power.
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Ontological neighbourhood