In ancient Greek religion and mythology, Helios (ˈhiːliəs,_-ɒs; ; Homeric Greek: Ἠέλιος ) is the god and personification of the Sun. His name is also Latinized as Helius, and he is often given the epithets Hyperion ("the one above") and Phaethon ("the shining"). Helios is often depicted in art with a radiant crown and driving a horse-drawn chariot through the sky. He was a guardian of oaths and also the god of sight. Though Helios was a relatively minor deity in Classical Greece, his worship grew more prominent in late antiquity thanks to his identification with several major solar divinities of the Roman period, particularly Apollo and Sol. The Roman Emperor Julian made Helios the central divinity of his short-lived revival of traditional Roman religious practices in the 4th century AD.
Helios figures prominently in several works of Greek mythology, poetry, and literature, in which he is often described as the son of the Titans Hyperion and Theia and brother of the goddesses Selene (the Moon) and Eos (the Dawn). Helios' most notable role in Greek mythology is the story of his mortal son Phaethon who asked his father for a favour; Helios agreed, but then Phaethon asked for the privilege to drive his four-horse fiery chariot across the skies for a single day. Although Helios warned his son again and again against this choice, explaining to him the dangers of such a journey that no other god but him was capable to bring about, Phaethon was hard to deter, and thus Helios was forced to hand him the reins. As expected, the ride was disastrous and Zeus struck the youth with one of his lightning bolts to stop him from burning or freezing the earth beyond salvation. Other than this myth, Helios occasionally appears in myths of other characters, witnessing oaths or interacting with other gods and mortals.
In the Homeric epics, his most notable role is the one he plays in the Odyssey, where Odysseus' men despite his warnings impiously kill and eat his sacred cattle the god kept at Thrinacia, his sacred island.
This page is automatically generated and may contain information that is not correct, complete, up-to-date, or relevant to your search query. The same applies to every other page on this website. Please make sure to verify the information with EPFL's official sources.
This year's topic is "Adelic Number Theory" or how the language of adeles and ideles and harmonic analysis on the corresponding spaces can be used to revisit classical questions in algebraic number th
This course will provide an introduction to model category theory, which is an abstract framework for generalizing homotopy theory beyond topological spaces and continuous maps. We will study numerous
Hecate is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches, a key, snakes, or accompanied by dogs, and in later periods depicted as three-formed or triple-bodied. She is variously associated with crossroads, entrance-ways, night, light, magic, protection from witchcraft, the Moon, knowledge of herbs and poisonous plants, graves, ghosts, necromancy, and sorcery. Her earliest appearance in literature was in Hesiod's Theogony in the 8th century BCE as a goddess of great honour with domains in sky, earth, and sea.
Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of ancient Greek folklore, today absorbed alongside Roman mythology into the broader designation of classical mythology. These stories concern the ancient Greek religion's view of the origin and nature of the world; the lives and activities of deities, heroes, and mythological creatures; and the origins and significance of the ancient Greeks' cult and ritual practices.
In Greek mythology, Atlas (ˈætləs; Ἄτλας, Átlas) is a Titan condemned to hold up the heavens or sky for eternity after the Titanomachy. Atlas also plays a role in the myths of two of the greatest Greek heroes: Heracles (Hercules in Roman mythology) and Perseus. According to the ancient Greek poet Hesiod, Atlas stood at the ends of the earth in extreme west. Later, he became commonly identified with the Atlas Mountains in northwest Africa and was said to be the first King of Mauretania (modern-day Morocco and west Algeria, not to be confused with the modern-day country of Mauritania).
Ce commentaire de Face à Gaïa décrit la bataille intellectuelle que Bruno Latour engage contre les Modernes, à l’heure où la Terre les menace. Il use pour cela de l’icône Gaïa, personnage principal de l’ouvrage qui lui permet de représenter une Terre réani ...
Flat plate solar collectors face the problem of overheating and the ensuing high thermal stresses and general collector damage lead to high maintenance costs. To address this challenge, absorber coatings with a passive optical switch at critically high ope ...