The formes fixes (fɔʁm fiks; singular: forme fixe, "fixed form") are the three 14th- and 15th-century French poetic forms: the ballade, rondeau, and virelai. Each was also a musical form, generally a chanson, and all consisted of a complex pattern of repetition of verses and a refrain with musical content in two main sections.
All three forms can be found in 13th-century sources, but a 15th-century source gives Philippe de Vitry as their first composer while the first comprehensive repertory of these forms was written by Guillaume de Machaut. The formes fixes stopped being used in music around the end of the 15th century, although their influence continued (in poetry they, especially the rondeau, continued to be used).
Sometimes forms from other countries and periods are referred to as formes fixes. These include the Italian 14th-century madrigal and later ballata and barzelletta, the German bar form, Spanish 13th-century cantiga, and the later canción, and villancico.
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A virelai is a form of medieval French verse used often in poetry and music. It is one of the three formes fixes (the others were the ballade and the rondeau) and was one of the most common verse forms set to music in Europe from the late thirteenth to the fifteenth centuries. One of the most famous composers of virelai is Guillaume de Machaut (c. 1300–1377), who also wrote his own verse; 33 separate compositions in the form survive by him. Other composers of virelai include Jehannot de l'Escurel, one of the earliest (d.
A rondeau (ʁɔ̃do; plural: rondeaux) is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of verse with a refrain. The rondeau is believed to have originated in dance songs involving singing of the refrain by a group alternating with the other lines by a soloist.
The ballade (bəˈlɑːd; balad; not to be confused with the ballad) is a form of medieval and Renaissance French poetry as well as the corresponding musical chanson form. It was one of the three formes fixes (the other two were the rondeau and the virelai) and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. The formes fixes were standard forms in French-texted song of the fourteenth and fifteenth centuries.