Francis Picabia

Francis Picabia (fʁɑ̃sis pikabja: born Francis-Marie Martinez de Picabia; 22 January 1879 – 30 November 1953) was a French avant-garde painter, writer, filmmaker, magazine publisher, poet, and typographist closely associated with Dada. When considering the many styles that Picabia painted in, obbservers have described his career as "shape-shifting" or "kaleidoscopic". After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly abstract planar compositions were colourful and rich in contrasts. He was one of the early major figures of the Dada movement in the United States and in France before denouncing it in 1921. He was later briefly associated with Surrealism, but would soon turn his back on the art establishment. Francis Picabia was born in Paris of a French mother and a Cuban father of Spanish descent. Some sources would have his father as of aristocratic Spanish descent, whereas others consider him of non-aristocratic Spanish descent, from the region of Galicia. His birth year of 1879 coincided with the Spanish-Cuban Little War; and though Picabia was born in Paris, his father was involved in Cuban-French relations and would later serve as attaché at the Cuban legation in Paris (see the Treaty of 1898). The family ties to Cuba would be important in Picabia's life later on. The family was affluent, and both parents encouraged Picabia to pursue an art career. Picabia's mother died of tuberculosis when he was five, and he was raised by his father. Picabia's artistic ability was apparent from his youth. In 1894, he copied a collection of Spanish paintings that belonged to his grandfather, switching the copies for the originals and selling the originals to finance his stamp collection. A lifelong philanderer, Picabia eloped to Switzerland in 1897 with one of his mistresses, causing his father to briefly break cut off contact with him. During the late 1890s, Picabia began to study art under Fernand Cormon and others at École des Arts Decoratifs, Cormon's academy at 104 boulevard de Clichy, where Van Gogh and Toulouse-Lautrec had also studied.

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Painting

Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting").

Modern art

Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic of the traditional arts, toward abstraction is characteristic of much modern art.

Abstract art

Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy.