Concept
Pottery of ancient Greece
Related concepts (27)
Red-figure pottery
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy.
Kylix
In the pottery of ancient Greece, a kylix (ˈkaɪlɪks , ˈkɪlɪks ; κύλιξ, pl. κύλικες; also spelled cylix; pl.: kylikes ˈkaɪlɪkiːz , ˈkɪlɪkiːz ) is the most common type of cup in the period, usually associated with the drinking of wine. The cup often consists of a rounded base and a thin stem under a basin. The cup is accompanied by two handles on opposite sides. The inner basin is often adorned in the bottom so that as the liquid is consumed an image is revealed, this adornment is usually in a circular frame and called a tondo.
Paestum
Paestum (ˈpɛstəm , USalsoˈpiːstəm , ˈpae̯stũː) was a major ancient Greek city on the coast of the Tyrrhenian Sea in Magna Graecia. The ruins of Paestum are famous for their three ancient Greek temples in the Doric order dating from about 550 to 450 BC that are in an excellent state of preservation. The city walls and amphitheatre are largely intact, and the bottom of the walls of many other structures remain, as well as paved roads.
Symposium
In Ancient Greece, the symposium (συμπόσιον sympósion or symposio, from συμπίνειν sympínein, "to drink together") was a part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's Symposium and Xenophon's Symposium, as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes.
Black-figure pottery
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic (), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes.
Meander (art)
NOTOC A meander or meandros (Μαίανδρος) is a decorative border constructed from a continuous line, shaped into a repeated motif. Among some Italians, these patterns are known as "Greek Lines". Such a design may also be called the Greek fret or Greek key design, although these terms are modern designations even though the decorative motif appears thousands of years before that culture, thousands of miles away from Greece, and among cultures that are continents away from it.
Maenad
In Greek mythology, maenads (ˈmiːnædz; μαινάδες maiˈnades) were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Maenads were known as Bassarids, Bacchae ˈbækiː, or Bacchantes ˈbækənts,bəˈkænts,-ˈkɑːnts in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin. Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a combination of dancing and intoxication.
Greek mythology
Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of ancient Greek folklore, today absorbed alongside Roman mythology into the broader designation of classical mythology. These stories concern the ancient Greek religion's view of the origin and nature of the world; the lives and activities of deities, heroes, and mythological creatures; and the origins and significance of the ancient Greeks' cult and ritual practices.
Canosa di Puglia
Canosa di Puglia, generally known simply as Canosa (Canaus), is a town and comune in the province of Barletta-Andria-Trani, Apulia, southern Italy. It is located between Bari and Foggia, on the northwestern edge of the plateau of the Murgia which dominates the Ofanto valley and the extensive plains of Tavoliere delle Puglie, ranging from Mount Vulture at the Gargano, to the Adriatic coast. Canosa, the Roman Canusium, is considered the principal archaeological center of Apulia, and is one of the oldest continually inhabited cities in Italy.
Geometric art
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages, 900–700 BC. Its center was in Athens, and from there the style spread among the trading cities of the Aegean. The Greek Dark Ages lasted from 1100 to 750 BC and include two periods, the Protogeometric period and the Geometric period (or Geometric art), in reference to the characteristic pottery style.